by Mia Posada ; illustrated by Mia Posada ‧ RELEASE DATE: Oct. 1, 2014
Naturalists will be enthralled.
Even the very young can identify animal tracks when it’s made this much fun.
Rhyming couplets that give clues to an animal’s identity and accompany illustrations of life-size (but admittedly not always realistically spaced) tracks and a few habitat clues encourage children to guess who made the print. “Round footprints left by two-toed feet / pressed into the sand in the desert heat. / This animal lives without water for days, / traveling under scorching sun rays.” Snaking (literally) between the prints is a long, S-shaped line. The turn of the page reveals the tracks’ makers—“A camel and a snake!”—and a paragraph of information about these animals (dromedary camels and horned vipers) follows. Other featured animals include black bear, gray wolves, moose, kangaroos, hippos, cattle egrets, beavers and a jaguar. Posada’s illustrations give great clues, and the answer pages mostly show both close-ups of the animals and at least one full-body image against the animals’ habitat. Backmatter encourages readers to use all the clues a track gives to identify the animal: number of toes, whether claws are visible or not, size of the track, how deeply impressed the track is, how far apart they’re spaced, etc. Tracks of nonfeatured animals in the background of the page challenge readers. The only thing that’s missing is an instructional note about using paper cups and plaster of Paris to cast found tracks.
Naturalists will be enthralled. (websites, further reading, answer key) (Informational picture book. 4-9)Pub Date: Oct. 1, 2014
ISBN: 978-1-4677-1871-4
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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