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SNOWSHOEING THROUGH SEWERS

Name: SNOWSHOEING THROUGH SEWERS
Author: Michael Aaron Rockland
ISBN: 0-8135-2115-7

ADVENTURES IN NEW YORK CITY, NEW JERSEY, AND PHILADELPHIA

by Michael Aaron Rockland ‧ RELEASE DATE: Nov. 1, 1994

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Good-humored essays that chronicle an oddball odyssey through the urban outback. It's neither pristine river nor virgin forest that rattles the affable Rockland's wandering bones, but that awkward border—in the wilderness or in the city—where nature and man's handiwork collide. Chair of American Studies at Rutgers Univ., Rockland (A Bliss Case, 1989) undertakes a series of decidedly unscholarly treks across the wilds of the Northeast corridor. In his search for adventure, he boldly goes where no man wants to go: kayaking the south Jersey meadows in January; camping in Manhattan's Inwood Park; biking Route 1, known as ``Death Highway,'' through Newark, N.J. Prowling the forgotten canals and the traffic- and retail- choked highways of Megalopolis, the unlikely ``new frontier'' that sprawls from New York to Philly, he finds a Whitmanesque splendor in the flotsam of the industrial age. Seeking to ``redefine adventure in contemporary terms,'' he brings it within reach of the average schlepper: No triathlete, Rockland knows when to bag the tent and check into a motel. Hiking all 275 blocks of Broadway, as he does in ``Copping a Pee in the Big Apple,'' requires no superhuman effort. It is, however, a charmingly contrarian way to view the world. That charm—and his self-mocking style, boyish enthusiasm, and unrepentant (but harmless) male chauvinism—lend a refreshing tone to the contrapuntal ruminations on wildlife, geology, urban myth, Indian history, and the pleasures of PB&J scattered throughout his love song to postmodern America. Rockland delights in camp as much as any devotee of pop culture, but his inquiry into the things consumer culture values, then abandons (and the snapshots he presents of our deteriorating cities) forms a powerful cautionary tale. Perfect for armchair travelers or urban adventurers looking for new ideas.

Pub Date: Nov. 1, 1994

ISBN: 0-8135-2115-7

Page Count: 165

Publisher: Rutgers Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.