by Michael Allen Dymmoch ‧ RELEASE DATE: March 15, 2006
A captivating historical romantic adventure that couldn’t be more different from Dymmoch’s excellent Caleb/Thinnes mystery...
A routine request for extradition leads to a fantastic journey into the past.
Detective Ian Carreg, slowly recovering from the death of his wife, is assigned to arrest Dr. Jemma Henderson, who’s been convicted of murder in the U.S. He finds her in a shed near Cymry Henge, but before he can take her in, they’re sucked into a time machine that takes them to Roman Britain. Ian, sure the whole thing is some kind of Brobdingnagian hoax, keeps looking for clues to prove his theory of an artificially created world like that of the classic TV show The Prisoner. As time goes on, however, he adjusts to life in the past. His Welsh and Jemma’s Latin allow them to communicate, and they become tolerably well integrated into the village, where they’re considered gods. When they’re captured by the Romans and taken on a journey to Londinium and Dover, Ian finally acknowledges that he really is living in the past and begins to worry about unwelcome developments that could alter the future. His increasing attraction to Jemma leads to love and a life in the past that allows him to leave a clue for his children, granting them some insight into his strange disappearance.
A captivating historical romantic adventure that couldn’t be more different from Dymmoch’s excellent Caleb/Thinnes mystery series (White Tiger, 2005, etc.).Pub Date: March 15, 2006
ISBN: 1-59414-429-X
Page Count: 320
Publisher: Five Star/Gale Cengage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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by Jude Deveraux ‧ RELEASE DATE: Sept. 17, 2019
An entertaining page-turner.
Terri Rayburn is devastated that her perfect man belongs to someone else, but once Nate Taggert realizes that Terri's the one for him, her complicated past still stands in the way of their being together.
Terri is attracted to Nate the moment she lays eyes on him, and soon they fall into an easy partnership at the Virginia lake resort she runs with her father. Nate is upfront about being engaged to the mayor’s daughter, Stacy, but she’s in Europe for a few weeks, and it quickly becomes clear to Terri that Nate and Stacy aren’t a great match. However, Terri, whose mother left when she was 2, has always had a problematic relationship with the citizens of Summer Hill. Since Leslie disappeared, the town gossip has made sure everyone remembers her as a promiscuous vixen, a label which tainted Terri as she got older and made her look like a problem when, as Nate begins to understand, she was really a victim. It’s clear to everyone around them that they are falling in love, but even as Nate realizes it himself, Terri is adamant that they can’t be together. She won’t steal him from the popular Stacy because it would mean she’d never be able to live in Summer Hill, and she won’t abandon her father. Deveraux spins an intriguing and unorthodox romance, continuing her Summer Hill branch of the Taggert/Montgomery series with two characters who have some unique, interesting obstacles in their paths and navigate through them with secrets uncovered and old wounds healed. The story is well plotted, though Nate is unnecessarily oblivious sometimes and the book takes an unexpected swing into romantic suspense territory in the last quarter. The solved mystery resolves Nate and Terri’s conflict, though the villain’s motivations seem a little cartoonish.
An entertaining page-turner.Pub Date: Sept. 17, 2019
ISBN: 978-0-7783-5124-5
Page Count: 336
Publisher: Harlequin MIRA
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Jojo Moyes ‧ RELEASE DATE: Aug. 20, 2013
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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