A coming-of-adolescence novel that rigorously avoids cliche.
An English boy engages with sex, art, and religion without the guidance of his failing parents.
Daniel’s father is the headmaster of a choir school, a plum position in a small English town and one that will soon evaporate. An illness and financial mismanagement force him into an early retirement and a half-life of ill-advised farming. Daniel’s mother, meanwhile, slumps into a depression that eventually becomes suicidal. In the midst remains the boy (as Amherst calls him), trying to matter-of-factly interpret the adult world. He’s impressed by psychotherapy, which he learns about on TV (“People are just like books—full of hidden meanings that need to be unearthed by an attentive reader”) and becomes indignant that the Anglican Church says he’ll have to become confirmed before receiving communion, so he refuses to do it (“Is this not exactly what Jesus would have done, he asks his parents? His mother does not welcome the comparison”). Daniel’s joys are drawn from Philip, a boy as smart as him but with more charisma and a stable family, and from Mr. Miller, a “young and exciting” art teacher who tutors the two boys in painting while their classmates play. Mr. Miller’s hipness is thrilling—he prefers Fauvism to John Constable—but it becomes sinister when he discusses “sex appeal” with a class of preadolescents. The novel’s plain style is contemporary, though Amherst is comfortable with figurative language: A vicar has a “face like a spoon,” the gap between two posh houses is “like a held breath before one makes a choice.” But when Amherst embraces ambiguity, in the moments where Daniel must admit no answer is to be found, the novel contains the same eerie spark that makes the bildungsromans of Hermann Hesse crackle.
A coming-of-adolescence novel that rigorously avoids cliche.Pub Date: Feb. 25, 2025
ISBN: 9780593718520
Page Count: 208
Publisher: Riverhead
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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