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CIVILIANIZED

A YOUNG VETERAN'S MEMOIR

An intense memoir that could have been more fully fleshed out.

A young war veteran tells the story of how his tour in Iraq left him unable to cope with day-to-day civilian life.

For Anthony (Mass Casualties: A Young Medic's True Story of Death, Deception, and Dishonor in Iraq, 2009, etc.), life as a soldier in the U.S. Army had its perks. “The rush from constant, near-death experiences was like no other,” he writes. But it also had a pronounced dark side. Days flowed together into a never-ending sameness that made remembering events difficult, and physically overtaxed soldiers, including Anthony, lived on prescribed pain medication. When the author returned to San Diego from his tour, he realized that he was addicted to painkillers and sleeping pills and that “it had been two years since I’d even kissed a woman.” Lonely and miserable, Anthony decided that if his life did not improve in three months, he would kill himself. He began his quest for happiness by signing up for a three-day self-improvement course on how to attract women. Yet all he could manage were brief encounters that did nothing to save him from the emptiness he felt inside. Anthony then moved home to Massachusetts, where he joined a group of men who gathered together to pick up women. There, he met a fellow vet named Gunner, whose rage and addictions mirrored the author’s and who would eventually attempt suicide. Anthony continued to stumble through his days and relationships, desperately searching for relief in alcohol, hypnosis, and PTSD groups for war veterans. He finally decided to kill himself by overdosing on Ambien. Catching sight of a copy of Shakespeare’s Henry V, however, he decided to write his story, an act that saved him from self-destruction and began to bring him back to life. Though the text moves to a conclusion that only outlines the recovery phase of his life, this at-times darkly comic memoir serves as an important reminder of the human cost of America’s involvement in overseas conflicts.

An intense memoir that could have been more fully fleshed out.

Pub Date: Dec. 27, 2016

ISBN: 978-1-936976-88-1

Page Count: 192

Publisher: Pulp/Zest Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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