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THE CLOUD SPINNER

There are definitely lessons about taking only what you need, about care for the needs of others and about listening to what...

A boy with a singular talent catches the eye of the king, with ominous results, but it turns out well.

In rhythmic text that holds an occasional rhyme, the story unfolds. The boy weaves wondrous cloth from the clouds: gold in the morning, white in the afternoon, crimson at sunset, “[j]ust as his mother had taught him.” His mother also taught him to be sparing, so he uses just enough to weave a white scarf to protect his head from the heat of the day, and a gold and crimson one to keep him warm in the cold. The king, recognizing the beauty of the scarves, demands the boy weave a scarf for him. The boy boldly says the king does not need this, but the king insists. When he gets the scarf, he wants a cloak and dresses for his wife and daughter besides. The boy sadly complies, but then there are no more clouds, hence no rain, and the kingdom suffers. The young princess, however, returns the weaving to the boy, who releases the yarn and restores the clouds. Much happens in Jay’s luminous, crackle-finish pictures. Almost every cloud adopts a shape, from hats to fishes and strange creatures. The hills and the houses have gentle or surprised faces made of flowers and wildlife or windows and doors, so subtle one only notices them on the second or third reading. Her figures have roly-poly bodies and tiny heads, her colors simply glow.

There are definitely lessons about taking only what you need, about care for the needs of others and about listening to what is unsaid, but they are fully inside the story and only add to the pleasure. (Picture book. 5-8)

Pub Date: March 13, 2012

ISBN: 978-0-375-87011-8

Page Count: 32

Publisher: Knopf

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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HELLO, SUN!

Say hello to a relatable and rewarding early reader!

Fun with friends makes for a great day.

Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”

Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593646212

Page Count: 48

Publisher: Seuss Studios

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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