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MOONGLOW

A heartfelt but sodden family saga.

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A faux memoir of the novelist’s grandfather, whose life as an engineer, veteran, and felon offers an entree into themes of heroism and imagination.

When “Michael Chabon,” the narrator of this novel, was growing up, his maternal grandparents were steeped in mystery and mythology. His grandmother was a tight-lipped Holocaust survivor with a fixation on tarot cards, while his grandfather was a World War II Army officer who’d also done time in prison. The novel is largely Chabon’s (Telegraph Avenue, 2012, etc.) effort to understand his grandfather’s wilder escapades. Why did he try to strangle a former business partner with a telephone cord? What was he thinking when he and a buddy in the Army Corps of Engineers prankishly set explosives on a bridge in Washington, D.C.? What did he feel while he hunted down Wernher von Braun in Germany? And, more tenderly, what did he see in the young girl he met in Baltimore after returning home from the war? A study in intellect, violence, and displacement, his grandfather is engaging on the ground level while also serving as a kind of metaphor for Cold War America. And Chabon writes tenderly about his grandparents’ relationship—his grandmother was a horror-flick host on local TV and suffered from mental illness her husband was ill-equipped to handle. Chabon’s theme is the storytelling (i.e., lies) people lean on to survive through complicated times: “The world, like the Tower of Babel or my grandmother’s deck of cards, was made out of stories, and it was always on the verge of collapse.” A noble enough theme, but Chabon is an inveterate overwriter who dilutes his best storytelling with more ponderous digressions—on the manufacture of the V-2 rocket, model-making, Thomas Pynchon, and the relationships his widowed grandfather pursued before his death. He’s captured a fine story about the poignancy of two souls’ survival but also too many others about plenty else besides.

A heartfelt but sodden family saga.

Pub Date: Nov. 22, 2016

ISBN: 978-0-06222555-9

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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MY YEAR OF REST AND RELAXATION

A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

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A young New York woman figures there’s nothing wrong with existence that a fistful of prescriptions and months of napping wouldn’t fix.

Moshfegh’s prickly fourth book (Homesick for Another World, 2017, etc.) is narrated by an unnamed woman who’s decided to spend a year “hibernating.” She has a few conventional grief issues. (Her parents are both dead, and they’re much on her mind.) And if she’s not mentally ill, she’s certainly severely maladjusted socially. (She quits her job at an art gallery in obnoxious, scatological fashion.) But Moshfegh isn’t interested in grief or mental illness per se. Instead, she means to explore whether there are paths to living that don’t involve traditional (and wearying) habits of consumption, production, and relationships. To highlight that point, most of the people in the narrator's life are offbeat or provisional figures: Reva, her well-meaning but shallow former classmate; Trevor, a boyfriend who only pursues her when he’s on the rebound; and Dr. Tuttle, a wildly incompetent doctor who freely gives random pill samples and presses one drug, Infermiterol, that produces three-day blackouts. None of which is the stuff of comedy. But Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author. (Recovering from one blackout, the narrator thinks, “What had I done? Spent a spa day then gone out clubbing?...Had Reva convinced me to go ‘enjoy myself’ or something just as idiotic?”) Checking out of society the way the narrator does isn’t advisable, but there’s still a peculiar kind of uplift to the story in how it urges second-guessing the nature of our attachments while revealing how hard it is to break them.

A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

Pub Date: July 10, 2018

ISBN: 978-0-525-52211-9

Page Count: 304

Publisher: Penguin Press

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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