A page-turning noir, with a twist of Yiddish, that satisfies on many levels.
Imagine a mutant strain of Dashiell Hammett crossed with Isaac Bashevis Singer, as one of the most imaginative contemporary novelists extends his fascination with classic pulp.
The Pulitzer Prize–winning author (The Amazing Adventures of Kavalier & Clay, 2000, etc.) returns with an alternate-history novel that succeeds as both a hardboiled detective story and a softhearted romance. In the aftermath of World War II, a Jewish homeland has been established in Alaska rather than Israel. Amid the mean streets of Sitka, the major city, Detective Meyer Landsman lives in a seedy flophouse, where alcohol has dulled his investigative instincts. His marriage to his beloved Bina couldn’t survive an aborted pregnancy, after tests showed the possibility of birth defects. He also hasn’t gotten over the death of his younger sister, a pilot whose plane crashed. He finds his sense of mission renewed when there’s a murder in the hotel where he lives. The deceased was a heroin-addicted chess player, his slaying seemingly without motive. There’s an urgency to Landsman’s investigation, because the Promised Land established by the Alaskan Settlement Act is only a 50-year rental, with Jews expected to go elsewhere when the “Reversion” takes place two months hence. Thus, Landsman must solve the case before he loses his job and his home, a challenge complicated by the reappearance of his ex-wife, appointed chief of police during this transition before the Reversion. In her attempts to leave a clean slate, will she help her former husband or thwart him? Adding to the intrigue are a cult of extremists led by a gangster rabbi, a possibility that the death of Landsman’s sister wasn’t an accident and a conspiracy led by the U.S. government. “These are strange times to be a Jew,” say various characters, like a Greek chorus, though the novel suggests that all times are strange times to be a Jew.
A page-turning noir, with a twist of Yiddish, that satisfies on many levels.Pub Date: May 1, 2007
ISBN: 0-00-714982-4
Page Count: 432
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
