Entertainer-educator Crichton, that clever devil, has done it again—by dressing up one of the oldest book/movie scenarios around with enough capsulized science, history, and geography to keep readers happily on their toes. It's an expedition to darkest Africa, to the northeast corner of the Congo rain forest in Zaire, in search of a lost city (Zinj) full of diamonds and danger. Old hat, right? Wrong. Because this expedition, led by Karen Ross of Earth Resources Technology Services (ERTS) in Houston, is the nth degree in hi-tech—portable computers, laser-beam navigation, satellite TV-hookup with Houston—and the juxtaposition of super-gadgetry with nature at its wildest is simply splendid. Furthermore, since a previous ERTS trek to Zinj was decimated by gorilla-like creatures (according to videotape analysis), primate expert Peter Elliot is along; and with him is adorable gorilla Amy—who understands English and is fluent in sign language. (By coincidence, Amy's been having nightmares about a city that looks just like legendary Zinj.) So there's lively lecture material a-plenty—computers, zoology, linguistics, Congo botany, etc.—as Karen, Peter, Amy, and mercenary Munro (what used to be the Robert Shaw role) head towards Zinj via parachute jump, river-rapids, and mountain-climbing. . . while fending off cannibals, an angry hippo, guided missiles, and sophisticated sabotage by a rival German-Japanese team. (The Zinj diamonds are the raw material for computer-chips that will revolutionize everything.) And when they do arrive at Zinj, where the rival team has been massacred, the ERTS team is soon under attack by this odd mutant killer-gorilla species—descendants of apes who were long ago trained to be ruthless guards of the diamond hoard. Thanks to Amy, however, the team learns enough gorilla lingo to drive the killers off, they find the diamond lode, Karen insists on blasting—and so a nearby volcano erupts, necessitating a balloon-escape finale for this thoroughly diverting diversion. True, Crichton's short-chaptered, constantly challenging smorgasbord approach doesn't quite disguise the lack of genuinely developed storytelling here, and one ends up feeling just slightly cheated: many of the provocative questions raised are never really resolved. But Dr. C. is one of the world's great explainers. And his fascinating lineup of scientific toughies-made-easy, along with the African scenery and the agreeably sentimental Peter/Amy relationship, makes this—page for page—the classiest junk-food entertainment in quite some time.
Pub Date: Nov. 12, 1980
ISBN: 0061782556
Page Count: 499
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Nov. 1, 1980
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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