Disappointing effort from an author who simply refuses to change an old, tired template.
Nanotechnology goes homicidal in the latest of this author’s ever-more self-derivative thrillers.
All is not well in Silicon Valley. In an intriguing opener, we get a scary little flash forward where 40-year-old Jack is sitting at home listening to his three desperately sick children, hoping they don’t die. Flash back a few days before that and Jack is running to Crate & Barrel, playing the role of house-husband ever since he got laid off as program division head at MediaTronics. Wife Julie is now the primary breadwinner, doing hush-hush Pentagon work with nanotechnology at the Xymos Corporation. Julie has seemed distracted recently, Jack is increasingly sure that she’s having an affair, and his sister is telling him to get a good divorce lawyer on deck. Then the baby, nine-month-old Amanda, comes down sick with a bizarre and terrifying illness that inexplicably disappears as suddenly as it arrived. Things aren’t going too well at Xymos, meantime, so Jack is called in to consult at their research facility out in the middle of the Nevada desert. The project that Julie was working on involved creating swarms of nanotech entities that the military could then use as weapons, surveillance systems, or whatever they wanted. Except the Pentagon was about the pull the plug because Xymos can’t get the bugs worked out. Pretty soon Jack and a few survivors are running about the lab jerry-rigging defenses against some highly evolved and deadly nanotech swarms gone rogue, which Julie just might have let escape on purpose. All the usual Crichton elements are here: pedantic display of research about an emerging technology (Jurassic Park), the emasculated husband (Disclosure), isolated research facility in lockdown (Andromeda Strain), and a motley crew of people trying to survive in a hostile environment (just about all of them). Normally, this would not be a problem, as even Crichton (Timeline, 1999, etc.) on autopilot still makes for a quick and entertaining, if ultimately unsatisfying, read. But this time the product is so by-the-numbers that even die-hard fans may find themselves bored.
Disappointing effort from an author who simply refuses to change an old, tired template.Pub Date: Nov. 25, 2002
ISBN: 0-06-621412-2
Page Count: 352
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2002
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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