by Michael D. Durkota ‧ RELEASE DATE: N/A
A bold debut filled with unforgettable moments and characters.
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In this lyrical debut novel, the lives of two U.S. Navy men take dramatic turns after they’re cut from a submarine mission during the Gulf War.
Former submariner Dan has just been honorably discharged from the Navy after damaging his back. His friend and fellow enlistee Nathan wants Dan to stay at his home while he’s in the Mediterranean Sea—during the Gulf War—for six months. Dan agrees because he has nowhere else to go, and he wants to help Nathan’s wife, Heather, with their infant son. Meanwhile, Dan’s former naval bunkmate, Trevor, has been cut from this same mission due to violent, erratic behavior. Attempting to find solace in their lives, Dan takes up photography; Trevor dates the beautiful Tara. Weeks pass, however, and both men have trouble adjusting. Heather, who resents Nathan for volunteering to leave so soon after returning from another mission, is drawn to Dan. Trevor, a brooding man obsessed with physical perfection, struggles with the intimacy that Tara craves. As Heather counts the days of Nathan’s absence on a chalkboard, Dan sets up a darkroom in the basement; he must also decide whether the stability he and Heather need is worth his friendship with Nathan. Debut author Durkota writes a remarkable narrative centered on the afflicted mindsets of his Navy men. With stark poignancy we learn that Trevor “wished he could be as confident around [Tara] as he was on the ship.” Elsewhere, Durkota’s bracing prose conveys Dan’s panic aboard the submarine: “All you can hear is your heart. Blood running scared through your arms and legs. Your mind a grenade.” Thankfully, there are moments of levity, usually involving a sexually overconfident character named Jags. Through Jags, the story also poses some meditative koanlike questions, including, “If you try to fail, and succeed, which have you done?” And while Durkota’s work often feels like a thriller, it’s more of a psychological study in which the characters, like flashes of lightning, are wonderfully alive for a very short time.
A bold debut filled with unforgettable moments and characters.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Rogue13 Publications
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: May 15, 2015
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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