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BANK ON SELF-INVESTMENT

BELIEF DEPOSITED—TRIUMPH WITHDRAWN: A STIMULUS CHECK FOR ONE’S SELF

Encouraging, positive, and cleverly packaged investment advice.

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The use of a financial analogy sets this self-help debut apart.

How do you offer the same personal improvement advice found in countless books without seeming repetitious, if not hackneyed? Entrepreneur Lewis admirably answers the question by relying on an apt analogy—treating one’s self-interest in investment terms—and pursuing the concept to its logical conclusion. This book is tightly organized with the content divided into three parts: “Depositing Belief,” “Withdrawing Triumph,” and “Self-Upgrade in Progress….” To ensure readers don’t miss the point, each chapter title begins with “Self-,” as in “Self-Realization,” “Self-Determination,” and “Self-Care.” To some, this structure may seem a bit contrived, but the author carries it off with flair, primarily because he never veers from his basic premise: “When you bank on self-investment, you bank on a better future for yourself.” In the volume’s first part, Lewis begins by cleverly comparing himself to an “investment account,” a mindset he adopted as a high school student when he learned “that significant profits lie ahead when investments are aligned with specific goals from the get-go.” This idea leads very naturally into the value of planning and setting long-term goals. Pushing the financial analogy further, the author advises engaging in self-evaluation with the use of a “personal prospectus,” offering some specifics on how to do so. Particularly intriguing in this part is the author’s enlightening discussion of personal energy: how to apply energy appropriately, how to replenish it, and how it can become “your greatest asset.” Part II essentially explains how self-investment pays personal dividends. Again, financial terminology works well here; for example, Lewis writes: “Overdrafting on your potential means you’re able to accomplish more than you previously thought possible.” The author highlights positive messages, such as overcoming obstacles, “capitalizing” on creativity, and avoiding moral “bankruptcy.”

In the third part of the book, Lewis provides two concrete tools for self-investment. A 23-point checklist of suggestions is wide-ranging (for example, “Read More,” “Cultivate Good Habits,” “Find a Mentor”) while instructions for developing a personal mission statement are more focused. The culmination of the volume’s lessons is that “you can cash out on all the success you’ve accomplished—this is your triumph withdrawn.” Throughout the work, the author is articulate and his writing is lucid. The examples he uses, largely drawn from his own experience, are well chosen and relevant. In sharing his background, he is quite candid about the challenges he faced and, more importantly, what he garnered from them. For instance, he talks about receiving less than satisfactory grades while attending high school in Jamaica. He learned that he had to eliminate distractions, marshal his efforts, and concentrate on preparing for exams if he was to reach his goal of pursuing theater arts. There are several such revealing anecdotes woven throughout these pages along with the author’s perceptive observations about them. The stories serve to personalize the prose as well as to engage readers in self-examination. In the end, the book is not merely a well-executed analogy; it is also filled with sensible, practical counsel.

Encouraging, positive, and cleverly packaged investment advice.

Pub Date: Nov. 6, 2020

ISBN: 978-0-578-78731-2

Page Count: 188

Publisher: MT INSIGNIA 2.0 LLC

Review Posted Online: Dec. 31, 2020

Kirkus Reviews Issue: Feb. 15, 2021

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  • IndieBound Bestseller

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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