by Michael D’Antonio ‧ RELEASE DATE: March 1, 2000
D’Antonio does a remarkable job of unfolding Toledo’s golf saga with drama and humor and provides a fresh perspective on an...
Esteban Toledo, one of professional golf’s perennial "grinders," is the subject of this superb effort by Pulitzer Prize-winning
reporter D’Antonio (Atomic Harvest, 1994, etc.). A former prizefighter from Mexicali, Mexico, Toledo made it through "Q School"—the grueling six-day PGA Qualifying Tour Event—in 1993 but did not fare well in the end and lost his card. In November 1997 he played against 164 struggling pros and top-flight amateurs at Grenelefe Golf and Tennis Resort in Haines City, Florida—and was one of only 35 to qualify for the upcoming season. Retaining that right is no easy task, as D’Antonio makes clear in this diary-like journal of Toledo’s progress through more than 30 tournaments: only one-third of each year’s qualifiers play well enough to return. In order to do so, Toledo needed either to win a tournament outright or to collect at least $230,000 in prize money. D’Antonio paints a vivid portrait of a determined athlete: Toledo practices and plays seven days a week, from morning till dark, often to the dismay of his caddie, Robert Szczesny (who believes his boss is too intense and plays better when he’s having fun, joking with the kids and the gallery). Not a long driver like Tiger Woods or the other big-money boys, Toledo misses several cuts. But his accurate iron play serves him well on tight courses, such as the BellSouth Classic in Atlanta—where a third-place finish brings him $104,000 and shouts of "Holy Toledo!" from the fans. Later on, a tie for seventh place at the CVS Classic at Pleasant Valley pays $43,650 "boosting him, for the moment, to 53rd on the money list. After 300 days on the road, Toledo finished the 10-month season with $327,244—93rd in the rankings and good enough to secure his card for another year.
D’Antonio does a remarkable job of unfolding Toledo’s golf saga with drama and humor and provides a fresh perspective on an old gamePub Date: March 1, 2000
ISBN: 0-7868-6497-4
Page Count: 288
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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