by Michael Dorris ‧ RELEASE DATE: April 1, 1994
Known primarily as a novelist (Working Men, 1993; Morning Girls, 1992; The Crown of Columbus with his wife, Louise Erdrich, 1991) and for The Broken Cord, which described his oldest son Abel's affliction with fetal alcohol syndrome (FAS), Dorris here offers an array of previously published essays. Some are personal, about growing up and becoming a parent; some are polemical, concerning Native Americans and their history. However diverse the original audiences—the pieces appeared in the New York Times, Family Circle, TV Guide, and elsewhere—Dorris' engaging and incisive style holds them all together. Part Indian himself, raised by his war-widowed mother, grandmother, and aunt, and the adoptive single parent of three Indian children (before his marriage to Erdrich), Dorris brings a rare sensitivity and a unique point of view to such universal experiences as baking a cake for his son's nursery school party, traveling cross-country with his children, finding the ``great pie,'' and piercing his son's ear. The heavy observations begin with the adolescence of his children, all three of whom suffered from FAS (which he described for Newsweek and in a report for the Centers for Disease Control). He evokes the frustrations and resourcefulness of a parent whose children are prone to unpredictable, sometimes violent behavior. He recounts how Abel died after being struck by a motorist just as filming began for a TV movie of the The Broken Cord. Much of Paper Trail is about Native Americans and the stereotypes, realities, and cultural fictions that perpetuate their marginal status in America. Though all the essays are grounded in a sense of private history, Dorris does consider, more generally, questions about the nature and function of history. In such pieces, the novelist becomes a cultural commentator, learned, persuasive, overcoming guilt by issuing a call for responsibility. Collectively, the essays evoke the pathos, joy, and mystery of unaccountable suffering and unbearable loss, of spiritual triumph and enduring love, conveying universal experiences in a simple and touching language.
Pub Date: April 1, 1994
ISBN: 0-06-016971-0
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
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edited by Michael Dorris & Emilie Buchwald
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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