by Michael Eldred ‧ RELEASE DATE: May 27, 2015
Eldred (Capital and Technology, 2015, etc.) presents a fantasy allegory for physics enthusiasts.
Phi and Psi set off from their country of Rutan (where efficiency is a secondary concern) to the Land of Matta, home to an ancient civilization of immense learning and advanced technology. They are looking for their relative Mu, a curious eccentric who left Rutan long ago: “He had always been someone on the move in every way, not just bodily nimble, but also with an exploratory mind and a liking for trying out new things,” the narrator says. “Initially, at least in part, it was the promise of power through knowledge that had enticed Mu to Matta.” Phi and Psi arrive in Matta to find that Mu has moved on, out to the hinterlands of Upper Matta, from which all ancient knowledge may have originally sprang forth. In their quest for Mu, Phi and Psi meet an array of characters who have much to teach them on the subjects of knowledge and movement. In particular, they are confronted with a famous question that has lingered in Mu’s wake: “Why is there movement at all, rather than standstill?” The lessons Phi and Psi learn will help them not only locate Mu, but once again return to their homeland of Rutan. Eldred strikes a wonderful, absurdist tone that harkens back to an earlier age of children’s fantasy, though this book doesn’t seem meant for children (Phi and Psi are introduced as former lovers in addition to being second cousins). The novel may be a little too twee for adults, however: the buoyant cartoonishness comes at the expense of character depth and emotional stakes. Furthermore, the allegorical nature of the work is simultaneously heavy-handed and esoteric. There is clearly some discussion of quantum mechanics, but it’s annoyingly difficult to decipher. Signposts (the capitol of Matta is called Nosear—an anagram of “reason”?) confuse more than enlighten, and the novel ends up being a little too clever, its intentions too hidden, its strategies too dense.
A fantastical puzzle that may be too difficult to solve.Pub Date: May 27, 2015
ISBN: 978-1-5122-0800-9
Page Count: 358
Publisher: CreateSpace
Review Posted Online: July 22, 2015
Review Program: Kirkus Indie
Categories: SCIENCE FICTION | GENERAL SCIENCE FICTION & FANTASY
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Leigh Bardugo ‧ RELEASE DATE: Oct. 1, 2019
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Leigh Bardugo ; illustrated by Dani Pendergast
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