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TELL ME WHAT YOU WANT

A humorous but disappointingly stunted tale about a would-be poet’s adventures.

Chaos ensues after a man at a crossroads reaches out to an old flame in this comic sequel.

Seattle, 1989. Aspiring poet and habitual weed smoker Jasper Trueblood, 30, is leaving his partying ways behind. He enjoys his job teaching English as a second language at a community college—a position in which he makes frequent use of a ventriloquist dummy named Bosworth—and he’s engaged. Of course, his fiancee, Daphne, is still a bit of a party animal, and they don’t have too much in common outside of a certain insatiable lust for each other—but how long can that last? Not very long at all, it turns out, as Jasper learns when he comes home early to find Daphne enjoying the lust of another man. During the resulting personal crisis, Jasper decides to buy a ticket to Guam to drop in on his old college girlfriend, Lani Sablan, without contacting her first. He expects Lani to be shocked, but actually she foresaw Jasper’s arrival in a dream—though that doesn’t change the fact that he is in very real danger from her meth-dealing husband. After a brief stay on the island, Jasper escapes with his life back to Seattle, thinking his trip down Memory Lane is over. But a few months later, he gets a call from Lani, who wants to bring her daughter, Rose, to the Pacific Northwest and stay with Jasper. “I’m an emotional wreck, Jazz,” she tells him. “My tropical depression evolved into an all-out typhoon. I need a new start. Rose does, too. I’ve never been to Seattle, but I hear it’s beautiful.” Is Jasper about to finally have the adult life—and adult love—that he’s dreamed of? Maybe. But it will involve quite a bit of tragedy, a prison sentence, and several sessions of talk therapy with a stripper named Ginger Snap.

Hickey has a natural way with words. His descriptions are original and often quite funny. Daphne, for example, is an “ever-slumbering but ever-amorous opossum.” But the writing is sometimes a bit too cute, particularly the dialogue, which often seems to serve no purpose other than to momentarily amuse readers. The question of why is a recurring one. For example, why do all the characters seem so taken with Jasper, an overweight, horny, perpetually stoned man with a ventriloquist dummy? (Readers, by contrast, will struggle to find him charming.) There is a larger question regarding just what the novel is trying to say. Potential thesis statements are littered throughout the text—many of them spoken by Ginger Snap, a walking, talking male fantasy that bears little resemblance to a human woman—but by the end, the book does not succeed in being about anything. Nor is it just a simple lark, given a particular and needless death that the author has seen fit to include. The story’s female characters, who should be intriguing, are ultimately only there for the redemption narrative of the decidedly uninteresting Jasper. The experience will be an unsatisfying one for many readers.

A humorous but disappointingly stunted tale about a would-be poet’s adventures.

Pub Date: March 1, 2021

ISBN: 978-0-57-877891-4

Page Count: 231

Publisher: Painted Rock Press

Review Posted Online: June 3, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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ONCE AND AGAIN

Deeply and surprisingly moving.

If you could undo one moment in your life, what would it be?

For Lauren Novak, a 37-year-old accountant in West Hollywood, California, that question isn’t an ice breaker to ask at a party, but an essential part of her being. Because Lauren—along with her mother, Marcella, and grandmother Sylvia—received something special at birth: a silver ticket that would allow her to undo a single event. And while some might see this as a gift from the universe, Lauren views it as a millstone around her neck: “The world is full of tragedy. There are fires that kill thousands of people, guns that kill hundreds at a clip. I could stop it, maybe. Travel there, capture the ember, point out the backpack. I could help. Every day, every year, there are things I could undo…” When Lauren’s husband, Leo, goes to New York for a summer job opportunity, Lauren moves in with her parents and grandmother in Malibu. As Lauren, who is working through the trauma she feels after multiple failed fertility attempts, makes a series of questionable decisions involving her ex-boyfriend Stone, the silver ticket begins to look more and more appealing. But Lauren has felt the effects of the ticket her entire life: When she was a teenager, her father, Dave, died in a car crash, and Marcella used hers to bring him back. Marcella has spent the ensuing years being overprotective of her husband, to the detriment, Lauren feels, of her relationship with her daughter. Lauren has to decide whether to follow the naturally rocky course of her life or take back her mistakes. The book is at its best as Serle combs through the messy relationships among the three generations of women. Her strength as a storyteller becomes clear about halfway through the book as the tone shifts from magical rom-com to poignant reflection on the price of a person’s decisions, and how far someone will go to save the ones they love.

Deeply and surprisingly moving.

Pub Date: March 10, 2026

ISBN: 9781668025918

Page Count: 256

Publisher: Atria

Review Posted Online: Dec. 11, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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