AN ELF FOR CHRISTMAS

The text in Garland’s book has little merit, and appears mostly as an excuse for the digital artwork. The night before Christmas, Tingle, a diligent elf in Santa’s workshop, falls asleep in the cockpit of a toy plane he has been working on. When the plane is wrapped, so is he, and the package is tucked into Santa’s sleigh and delivered to Joey for Christmas. Tingle gets homesick, flies the plane homeward, runs out of power, and hitches a ride with a polar bear. Garland makes no effort to endow his principals with any personality or presence; the artwork suffers from a grating juxtaposition of hyperrealism and smoky, blurred imagery. The proportions and depths of field are discomfittingly exaggerated, except for a scene in which the northern lights are on display above Santa’s workshop—there the otherworldliness perfectly matches the event. (Picture book. 3-8)

Pub Date: Oct. 1, 1999

ISBN: 0-525-46212-0

Page Count: 32

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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GINGERBREAD BABY

In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23444-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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  • SPONSORED PLACEMENT

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

INFINITE COUNTRY

A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.

"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

Pub Date: today

ISBN: 978-1-982159-46-7

Page Count: 208

Publisher: Avid Reader Press

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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HALLOWEEN MOTEL

Creature feature fans are sure to find their favorite nightmares attending this Halloween soiree. Ready to party at the Halloween Motel, a family checks in, dons costumes (Dad’s Elvis—the horror, the horror), and breezily heads off down the halls to meet the other guests—all of whom wear amazingly realistic ghost, ghoul, mummy, vampire, zombie, witch, and other outfits. The rhymed text trots merrily along, with occasional choruses, and frequent changes in typeface and size, for variety. Rocco’s postmodern cartoon scenes, done in garish greens and purples, are chock-full of googlies, more caricatured than scary. When the irritated guests complain about “weirdos” coming to their doors, patchy green desk clerk Frankie Stein lurches up to inform the trick-or-treaters that they’re at the wrong venue; the Halloween Motel is down the road a piece. More giggles and squiggles from the author and illustrator of Snow Inside the House (1998), this is guaranteed to be a big storytime hit. (Picture book. 6-8)

Pub Date: Sept. 30, 2000

ISBN: 0-06-028815-9

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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