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A BETTER MAN

A (MOSTLY SERIOUS) LETTER TO MY SON

Whether you’re a parent or simply thinking about life choices, there’s both melancholy and wisdom to be found here.

A multitalented actor and comedian digs deep to write a letter to his son about becoming a man.

Black, who got his start with the cult classic The State, is a performer with many facets. Onstage, he displays a dryly sarcastic sense of humor, and at the same time, he has been able to fully engage his goofy side in projects like Wet Hot American Summer. In his latest work of autobiography, following You’re Not Doing It Right, Black drops the act in order to deliver heartfelt lessons for his college-bound son. Opening with the Sandy Hook mass shooting, which occurred blocks from his son’s school, the author addresses his fears, hopes, and missteps in raising his children. The shooting, he writes, “felt like a tornado touching down, mindless and cruel. But also predictable. Infuriatingly predictable….In America…mass shootings are as common as sunsets.” Whether examining violence, sex, relationships, or compassion, Black lays out his thoughts and feelings with few defenses up and a comic lightness that doesn’t belie the book’s rather heavy truths. Though not as analytical as Peggy Ornstein’s incisive analyses of the sex lives of young people (although she shows up here), the narrative offers thoughtful ruminations on masculinity in the modern age. It’s also refreshing to read a memoir that doesn’t preach its messages from an author who honestly admits his imperfections. “The ideas I’m giving to you now are the best I can do now,” Black writes. “I hope you’ll tell me where you think I’ve fallen short. I hope you’ll remind me to stay open and available and receptive to new ideas. Maybe the last job of parenting is surrendering the lead and letting our kids guide us forward. We’re going to need the help.”

Whether you’re a parent or simply thinking about life choices, there’s both melancholy and wisdom to be found here.

Pub Date: Sept. 15, 2020

ISBN: 978-1-61620-911-7

Page Count: 304

Publisher: Algonquin

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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