Sorry, but this is not the best in the series.
A potato apologizes to a flamingo.
We don’t exactly know what Potato said to Flamingo, but we know it was hurtful enough for Flamingo to be sad and Potato to feel awful about it. The White, pigtailed child who has rounded out the trio in such previous humorous social-emotional titles as I’m Bored (2012), I’m Sad (2018), and I’m Worried (2019) works on resolving this conflict, emphasizing to Potato that he needs to apologize and that giving Flamingo a sandwich or disguising himself as a cowboy won’t do the trick. Of course Potato apologizes, and of course Flamingo accepts after emphasizing how hurtful the comment was, but the resolution feels unearned. We never learn what, exactly, Potato said to Flamingo. It’s unclear why Potato feels gut-wrenching remorse but is unable to apologize given that a more-common reaction is denial or justification. The conflict seems straightforward and one-sided rather than reflecting the messy realities that come when children (or anyone) hurt each other’s feelings. And the end gag with penguins feels extraneous rather than integral. Apologizing well is a hard and important skill to learn, and this theme comes with countless possible interpretations. Black’s addition is well meaning but adds little complexity to the challenging concept.
Sorry, but this is not the best in the series. (Picture book. 4-8)Pub Date: Aug. 31, 2021
ISBN: 978-1-5344-1588-1
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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