Soccer has taken its place in the American sporting constellation in no small part due to fans and writers like Agovino.
One man’s experience of American soccer’s years of bust and boom.
As a teenager, Agovino (The Bookmaker: A Memoir of Money, Luck, and Family from the Utopian Outskirts of New York City, 2008) fell in love with the beautiful game. Born and bred in the Bronx, where the typical American team sports of baseball, football, basketball and hockey reigned, the author nonetheless found himself captivated by a game that most Americans disdained when they acknowledged it at all. By 1982, when Agovino attended his first real soccer match, an all-star game at Giants Stadium featuring some of the world’s elite players, the luster of the North American Soccer League’s New York Cosmos was fading and the United States men’s national team had not made the World Cup since 1950 (and would not do so until 1990). Agovino played for his high school team, went on to New York University, where he covered the varsity team for the school paper, and upon graduation, found a series of jobs in journalism and as a freelance writer covering soccer as much as he was able. Agovino’s passion rings clear throughout this well-written book, but it is difficult to discern his intended audience. His personal journey through the sport is idiosyncratic, and the book is neither a history nor a traditional memoir—though it is closer to the latter than the former. Newcomers to the sport may find themselves a bit lost, and while the author purports to hate a common breed of exclusive and elitist American soccer fans, he betrays his own version of off-putting elitism and condescension. Nonetheless, those readers who buy in will see the growth of soccer in the United States in a deeply felt, personal journey.
Soccer has taken its place in the American sporting constellation in no small part due to fans and writers like Agovino.Pub Date: June 2, 2014
ISBN: 978-0-8032-4047-6
Page Count: 312
Publisher: Univ. of Nebraska
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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