A generally engrossing narrative of class and mobility in urban America.
Freelance journalist Agovino’s debut investigates how people are shaped by the places they inhabit.
When Co-op City opened in the Bronx in 1968, this series of enormous towers was hailed as a worker’s paradise, a utopia, the future of urban housing in America. It was also called “eminently depressing,” “monumental in size, minimal in planning” and “relentlessly ugly.” Agovino moved to this mythical place with his Italian-American family on a wave of hope and apprehension. But their odyssey began years earlier, before the author’s birth, when his father Hugo had to flee East Harlem after forgetting to place a bet for a high powered “racket guy” who came looking for the money he would have won. Catastrophes, near-catastrophes and big wins would prove to be the defining themes in Hugo’s life. Gambling kept its hold on him after he married Cora from Brooklyn, after they had children, after they moved to Co-Op City and even after Hugo landed a job in the Department of Social Services. The family’s fortune rose and fell with each wave of luck in the bookmaking business he ran on the side. Agovino’s history is rich with the mythology of immigrant strivers, but with its own series of twists linked to his erudite, proud and reckless father. The book also offers a unique portrait of the mutability of class, as his parents visited the Uffizi in Florence after a good streak and fretted over making payments on their son’s tuition after a bad streak. Crafting a joint portrait, Agovino occasionally lets minutiae about his kin—precious when viewed from within, less so from without—overpower the more dramatic chronicle of Co-Op City. For the most part, however, he strikes a nice balance between the histories of a beloved place and a turbulent family.
A generally engrossing narrative of class and mobility in urban America.Pub Date: Aug. 19, 2008
ISBN: 978-0-06-115139-2
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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