An accessible, searching look at the injustices built into the American way of taxation.
An illuminating study of the antitax movement as retrogressive and historically racist.
No one likes to pay taxes. Yet, writes Graetz, a tax policy expert, despite the hype that Americans are overtaxed, the U.S. “is a low-tax country compared to other developed nations.” Of the 38 member states of the Organisation for Economic Co-Operation and Development, only six levy less in tax than the U.S. does. As the author observes, the modern antitax movement coincides with the rise of the New Right in the 1970s. It was a fundamental tenet of neo-Birchers such as Howard Jarvis, the engineer of California’s tax revolt; and of the Reagan administration, one of whose architects, Lee Atwater, linked antitax precisely to racist dog whistling: You can’t use the N-word, he noted, but instead “all these things you’re talking about are totally economic things and a byproduct of them is blacks get hurt worse than whites.” In the 1980s, Graetz notes, the antitax movement became the glue that held together various parts of the Republican constituency, and especially evangelicals, who concocted the notion that taxes were evil. Meanwhile, Reagan, who campaigned on the vision of an imagined “welfare queen” who drove a Cadillac while gaming the system, lowered taxes on the rich at the expense of the poor. The pattern holds. As Graetz writes, it is modern GOP gospel to vilify the IRS, going so far in recent years as to attempt to defund the agency. Interestingly, he adds, nine of the ten states with the highest percentage of wealthy residents who pay no tax are Republican-leaning states. Yet the likelihood of things changing is slim: American voters don’t rank addressing inequality as a priority, because, Graetz ventures, “Americans want to become rich themselves.”
An accessible, searching look at the injustices built into the American way of taxation.Pub Date: Feb. 13, 2024
ISBN: 9780691225548
Page Count: 352
Publisher: Princeton Univ.
Review Posted Online: Dec. 13, 2023
Kirkus Reviews Issue: Jan. 15, 2024
BOOK REVIEW
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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