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CHANUKAH LIGHTS EVERYWHERE

This Chanukah offering from Rosen (Elijah’s Angel, 1992, etc.) attempts to find metaphoric comparison for the lights of the Chanukah menorah. But while Angel soars, Lights falls flat. The metaphors are forced, the language stilted, and Iwai’s (Night Shift Daddy, 2000, etc.) illustrations, while colorful and appealing, are flawed. On the first night of Chanukah the moon is like a flame. On the second night two headlights from grandpa’s car resemble the Chanukah lights, defying the laws of parallel parking as well as the laws of physics by shining directly into the living room of the family’s brownstone walk-up. On the third night, cousins come to visit and the young narrator switches on the lamps outside, “and suddenly there are three more lights, like in our menorah!” On the fifth night, five silver dollars shine like lights. By the seventh night, the family finds a Chanukah analogy in the seven bulbs burning in the windows of a Christian friend. Dad declares that “Chanukah is also about the joy of different religions sharing a street.” So far, the story has revealed little about the meaning of Chanukah. Iwai’s illustration for this spread shows a suburban neighborhood, despite already having depicted the family’s street in the heart of a neighborhood that looks a lot like Brooklyn. A note following the text explains the origins of the holiday. Disappointing. (Picture book. 3-5)

Pub Date: Oct. 1, 2001

ISBN: 0-15-202447-6

Page Count: 32

Publisher: Gulliver/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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