From a distinguished Southern writer, a very fine collection capped by a masterful novella.
A quiet, beautifully modulated group of six short stories and a novella set in or near Mobile, Alabama.
Knight (The Typist, 2010, etc.) focuses mostly on characters who belong, as he says with gentle irony, to "the right kind of Mobile family." These are for the most part white Southerners working with—and sometimes against—hereditary privilege: an older generation of male real estate moguls, shipping magnates, lawyers, marina owners and their well-meaning but insulated children, who must grapple with the shadows thrown by these gruff, un-self-conscious self-made men, who, as one of the younger generation puts it, "could take up space like nobody in the world." Knight's style is deceptively plainspoken, with low-key wit and a laconic precision that often ripens, as a story proceeds, into poignancy. One standout, "Jubilee," focuses on a middle-aged bourgeois cliché, a 50th-birthday bash at a grand hotel, but does so with such deftness and delicacy that the reader is ambushed, in the end, by mingled envy, pity, and empathy. As Dean and Kendra walk along the boardwalk toward the party and spy their assembled friends inside, there's a frisson of nerves, a kiss quickly wiped away, and finally a bittersweet revelation, half joy and half caution: "They must stay this course until the end." But the centerpiece and triumph of the collection is its closing novella, Landfall, which tells with enormous finesse, speed, and concision, like a family saga in demi-glace reduction, the mingled stories of a shipyard-owning family—the widow of the paterfamilias, her daughter and two sons, the daughter's two daughters, one son's beloved dog—as a hurricane bears down on Mobile.
From a distinguished Southern writer, a very fine collection capped by a masterful novella.Pub Date: March 7, 2017
ISBN: 978-0-8021-2597-2
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Told through the points of view of the four Garcia sisters- Carla, Sandi, Yolanda and Sofia-this perceptive first novel by poet Alvarez tells of a wealthy family exiled from the Dominican Republic after a failed coup, and how the daughters come of age, weathering the cultural and class transitions from privileged Dominicans to New York Hispanic immigrants. Brought up under strict social mores, the move to the States provides the girls a welcome escape from the pampered, overbearingly protective society in which they were raised, although subjecting them to other types of discrimination. Each rises to the challenge in her own way, as do their parents, Mami (Laura) and Papi (Carlos). The novel unfolds back through time, a complete picture accruing gradually as a series of stories recounts various incidents, beginning with ``Antojos'' (roughly translated ``cravings''), about Yolanda's return to the island after an absence of five years. Against the advice of her relatives, who fear for the safety of a young woman traveling the countryside alone, Yolanda heads out in a borrowed car in pursuit of some guavas and returns with a renewed understanding of stringent class differences. ``The Kiss,'' one of Sofia's stories, tells how she, married against her father's wishes, tries to keep family ties open by visiting yearly on her father's birthday with her young son. And in ``Trespass,'' Carla finds herself the victim of ignorance and prejudice a year after the Garcias have arrived in America, culminating with a pervert trying to lure her into his car. In perhaps one of the most deft and magical stories, ``Still Lives,'' young Sandi has an extraordinary first art lesson and becomes the inspiration for a statue of the Virgin: ``Dona Charito took the lot of us native children in hand Saturday mornings nine to twelve to put Art into us like Jesus into the heathen.'' The tradition and safety of the Old World are just part of the tradeoff that comes with the freedom and choice in the New. Alvarez manages to bring to attention many of the issues-serious and light-that immigrant families face, portraying them with sensitivity and, at times, an enjoyable, mischievous sense.
Pub Date: May 1, 1991
ISBN: 0-945575-57-2
Page Count: 308
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
PROFILES
APPRECIATIONS
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