by Michael Krieger ‧ RELEASE DATE: Oct. 11, 2002
Tugboats aren’t renowned for their balletic qualities, but Krieger finds in them a beautiful, intrepid choreography.
Apparent negligence and a ferocious hurricane spell mortal trouble for hundreds of men on an oil barge in this feverish tale of rescue from Krieger (Conversations with Cannibals, not reviewed).
In 1995, 60 miles off the coast of the Yucatán, a barge was laying oil pipeline. The craft, a colossal structure 400 feet long by 100 feet wide, carried 245 men and was maneuvered by a pair of ocean-going tugs. The manager of the vessel decided to ride out a hurricane at sea. Krieger delicately suggests that this decision may have been motivated by penalties imposed for running over schedule and may not have been the wisest choice, considering that the barge was not exactly shipshape, being both rusty and leaky. But responsibility is not Krieger’s main concern here; rather, he is intent on delivering a rousing story, directing the narrative like an old-fashioned melodrama: You know the hurricane is going to be trouble, just like the damsel tied to the tracks knows her goose is cooked when she hears the locomotive’s whistle. The first encounter with the storm batters the barge and tugs, though not critically. Then the hurricane turns on its heels to pound them again. This time the 40-foot seas sink the barge and all the men go into the drink. Keeping the story just this side of breathless, Krieger describes what it was like to be in the rough sea, waves crashing on the barge workers, and how preposterously valiant were the efforts of the tugs—one more soon arrived on the scene—to find the men and pull them aboard in the middle of the night and the middle of a hurricane, the boats pitching like toys, the nine-foot propellers slicing the air with each crest. Incredibly, only eight men died. Litigation regarding the culpability of the barge’s owner continues to this day.
Tugboats aren’t renowned for their balletic qualities, but Krieger finds in them a beautiful, intrepid choreography.Pub Date: Oct. 11, 2002
ISBN: 0-7432-2708-5
Page Count: 240
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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