A preposterous, entertaining farrago.
In Kurland’s (Victorian Villainy, 2011, etc.) latest tale of Professor James Moriarty, Sherlock Holmes once again takes a back seat to his historic nemesis as they battle sinister assassins to keep Victoria on the English throne.
The plotters are too subtle to target the Queen directly. Instead, they’re implicating her beloved but wild grandson, Prince Albert Victor, in a series of outrages they’re actually committing themselves. Hence Baron Renfrew, whom all parties concerned believe to be the prince, disappears after stabbing and disemboweling Rose, née Elsbeth Hooten, one of the young ladies who entertain gentlemen of means at Mollie Cobby’s establishment. The same grisly fate befalls Istefan, a boy whose career at the Château d’Espagne is cut short by the ministrations of a client code-named Peccavi. Mathilde von Tromphe, the prima donna of Covent Garden Opera House, is lucky to escape a third assault with her life. Moriarty, late of Midlothian University, now of Newgate Prison, is released by a coalition of well-placed lords and Home Office types determined to clear Albert Victor’s name before Scotland Yard claps the cuffs on his royal wrists. The man immortalized by Holmes as the Napoleon of Crime springs into action, questioning witnesses and making lightning inferences in a way strongly reminiscent of his great adversary. Meanwhile, Albreth Decanare, the self-styled Earl of Mersey and Last Plantagenet, along with the shadowy powers behind him, plots to destroy the reputation of the Saxe-Coburgs so completely that Mersey, suitably married to an eastern European princess, will ascend to the throne. Holmes turns up in the late innings to lend encouragement even more surprising than his logistical support. Mainly, though, this is Moriarty’s show.
A preposterous, entertaining farrago.Pub Date: Feb. 4, 2014
ISBN: 978-0-312-36545-5
Page Count: 320
Publisher: Minotaur
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
