BOUND FOR THE PROMISED LAND

THE GREAT BLACK MIGRATION

Cooper (From Slave to Civil War Hero, 1994, etc.) expands on the topic introduced to young readers in Jacob Lawrence's Great Migration (1993): the movement of a million rural African-Americans from the South to cities in the North between 1915 and 1930. He perceptively explores the sweeping changes that movement caused, including the creation of large African-American communities and coalitions, the growth of black-owned businesses, the increased political influence of these voters, the cultural ferment of the Harlem Renaissance, and white backlash, North and South. Despite occasional brief quotes, this is a digest rather than a documentary history, couched in general statements and focusing more on issues, organizations, and statistics than individual experiences; the systematic if impersonal result will be a workhorse in library collections but is unlikely to find a popular audience. The dim black-and-white photographs are a mixture of portraits and street scenes. (endnotes, bibliography, index) (Nonfiction. 11-15)

Pub Date: Oct. 1, 1995

ISBN: 0-525-67476-4

Page Count: 85

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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Sympathetic in tone, optimistic in outlook, not heavily earnest: nothing to be afraid of.

SCARED STIFF

50 PHOBIAS THAT FREAK US OUT

Part browsing item, part therapy for the afflicted, this catalog of irrational terrors offers a little help along with a lot of pop psychology and culture.

The book opens with a clinical psychologist’s foreword and closes with a chapter of personal and professional coping strategies. In between, Latta’s alphabetically arranged encyclopedia introduces a range of panic-inducers from buttons (“koumpounophobia”) and being out of cellphone contact (“nomophobia”) to more widespread fears of heights (“acrophobia”), clowns (“coulroiphobia”) and various animals. There’s also the generalized “social anxiety disorder”—which has no medical name but is “just its own bad self.” As most phobias have obscure origins (generally in childhood), similar physical symptoms and the same approaches to treatment, the descriptive passages tend toward monotony. To counter that, the author chucks in references aplenty to celebrity sufferers, annotated lists of relevant books and (mostly horror) movies, side notes on “joke phobias” and other topics. At each entry’s end, she contributes a box of “Scare Quotes” such as a passage from Coraline for the aforementioned fear of buttons.

Sympathetic in tone, optimistic in outlook, not heavily earnest: nothing to be afraid of. (end notes, resource list) (Nonfiction. 11-14)

Pub Date: Feb. 4, 2014

ISBN: 978-1-936976-49-2

Page Count: 224

Publisher: Zest Books

Review Posted Online: Nov. 13, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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JAM!

THE STORY OF JAZZ MUSIC

A busy page design—artily superimposed text and photos, tinted portraits, and break-out boxes—and occasionally infelicitous writing (“Trumpeter Dizzy Gillespie became . . . bandleader of the quintet at the Onyx Club, from which bebop got its name”) give this quick history of jazz a slapdash air, but Lee delves relatively deeply into the music’s direct and indirect African roots, then goes beyond the usual tedious tally of names to present a coherent picture of specific influences and innovations associated with the biggest names in jazz. A highly selective discography will give readers who want to become listeners a jump start; those seeking more background will want to follow this up with James Lincoln Collier’s Jazz (1997). (glossary, further reading, index) (Nonfiction. 9-11)

Pub Date: Aug. 1, 1999

ISBN: 0-8239-1852-1

Page Count: 64

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1999

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