These thematically interwoven tales of 12 southern women end up giving a penetrating look into the values and mores of the...
Veteran novelist Malone offers a heady mix of love, marriage, and murder in a dozen southern-themed stories old and new.
Fans of Malone’s Cudberth Mangum novels (First Lady, 2001, etc.) will find enough old-fashioned whodunits to justify Malone’s dedication to longtime mystery impresario Otto Penzler. In “Love and Other Crimes,” Cuddy, the no-nonsense police chief of Hillston, South Carolina, investigates the death of fourth husband Wilson (Dink) Tedworth at the fifth wedding of Patty Raiford, a femme so fatale that a frat-boy from Haver University once fought a duel over her with a West Point cadet. “Invitation to the Ball” offers a Cuddy-less murder plot to unravel, complete with a con game that spans four generations. But some of the best stories in the volume are altogether crime-free. “The Rising of the South and Flonnie Rogers,” for example, is a moving portrait of a black woman who arrives out of nowhere one day “to start a job no one had realized they were offering her” with a white family in the sleepy town of Thermopylae and stays to raise their nine children and who knows how many grandchildren. Or “Fast Love,” the story of Blake Wintrip, who forsakes his legacy as heir to Wintrip Motors of Toomis to become a social work field coordinator and marry beautiful red-haired Meredith Krantzsky. Some even combine the best of both worlds, like “White Trash Noir,” the story of simple, literal-minded Charmain Luby Markell, whose murder trial shows how goodness trumps brains every time, and the title story, in which beautiful Stella Doyle is acquitted of a murder that haunts her for the rest of her life.
These thematically interwoven tales of 12 southern women end up giving a penetrating look into the values and mores of the New South.Pub Date: April 1, 2001
ISBN: 1-57071-824-5
Page Count: 304
Publisher: Sourcebooks
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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