by Michael McCarthy ‧ RELEASE DATE: Oct. 4, 2016
A heartfelt, lovely, and thoroughly lived-through meditation on the natural world and its central part in any civilized life.
It is not enough that we rush to stanch the wounds our kind has inflicted on the world, writes British environmental journalist McCarthy (Say Goodbye to the Cuckoo: Migratory Birds and the Impending Ecological Catastrophe, 2010, etc.). More than that, “we should offer up its joy.”
Part of this book is a memoir of a life spent seeking nature in a time when nature is on the run, particularly on the too-populous, too–automobile overrun island of Britain. “It is only through specific personal experience,” writes the author, “that the case can be made, which is why I will offer mine.” Some of those experiences are luminous, as with a long-ago flurry of moths that yields his title and a sort of cri de guerre for his life as a champion of wild things. Part of his book, too, is a carefully elaborated meditation on what has happened to a world in which suburban gardens and rural woodlots are carpeted over with asphalt. What happens to people who live in such environs and to children whose worlds are constricted to the driveway and perhaps the driveway next door? McCarthy brings his experience as an activist and advocate to bear; writing of an effort to reintroduce the salmon to the Thames River, he admits the possibility that the world may be too far gone for our weak efforts at making up: “The principal lesson of the Thames salmon story, for me, is that we can sometimes damage the natural world too severely for it to be repaired.” That glumness is not the usual stuff of nature writing, which tends to be more celebratory, but McCarthy’s view is cleareyed, and this book extends a newly revived British literary naturalist tradition lately spearheaded by the likes of Robert Macfarlane, Roger Deakin, Adam Nicolson, and other wanderers along the hedgerows.
A heartfelt, lovely, and thoroughly lived-through meditation on the natural world and its central part in any civilized life.Pub Date: Oct. 4, 2016
ISBN: 978-1-68137-040-8
Page Count: 272
Publisher: New York Review Books
Review Posted Online: Aug. 24, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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adapted by Michael McCarthy & illustrated by Giuliano Ferri
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by Howard Stern ‧ RELEASE DATE: May 14, 2019
A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.
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New York Times Bestseller
The self-described “king of all media” shares personal introspection and favorite celebrity interviews in his first book in two decades.
Stern (Miss America, 1995, etc.) is in top form in this entertaining amalgam of intimate confessional and Q-and-A archive. Opting for an older, wiser perspective this time around, the author strips away the juvenile raunch and sophomoric humor that made his first books runaway bestsellers. The book’s introduction, a meaty, contemplative 19-page affair, finds Stern, 65, candidly discussing his struggles with OCD, random regrets (namely his treatment of Robin Williams and Rosie O’Donnell), greatest moments (interviews with Conan O’Brien and Paul McCartney, animal rescue efforts), his move to SiriusXM in 2006, and the day he inexplicably took a rare show-day off to attend to an undisclosed cancer scare. It’s a kinder, gentler, all-grown-up side of the shock jock, which he credits to aggressive psychotherapy and his second wife, Beth. However, it’s the intimate, provocative celebrity interviews that make up the bulk of this weighty tome and which the author admits “represent my best work and show my personal evolution.” With his advancing age came wisdom, humility, empathy, and a dramatic sea change in the show’s direction and focus, as evidenced in more nuanced, probing interviews with Courtney Love, Joan Rivers, Michael J. Fox, Chris Cornell, and Lady Gaga, among others. Stern introduces each conversation with his personal perspective on the individual and the impression they made. His honest conversations with actors, music legends, and others represent an eclectic cross-section of celebrities, and his questions range from the piercing to the downright ridiculous. Perhaps the book’s most startling interview segments are those with a pre-presidential Donald Trump, whom Stern has interviewed dozens of times. Throughout the book, which is divided into thematic sections (“Sex & Relationships,” “Money & Fame,” “Drugs & Sobriety,” “Gone Too Soon,” etc.), the author’s personal growth and enduring legacy as a broadcast pioneer and unique profiler are on full display.
A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.Pub Date: May 14, 2019
ISBN: 978-1-5011-9429-0
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: May 20, 2019
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by James Frey ‧ RELEASE DATE: April 15, 2003
Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.
Frey’s lacerating, intimate debut chronicles his recovery from multiple addictions with adrenal rage and sprawling prose.
After ten years of alcoholism and three years of crack addiction, the 23-year-old author awakens from a blackout aboard a Chicago-bound airplane, “covered with a colorful mixture of spit, snot, urine, vomit and blood.” While intoxicated, he learns, he had fallen from a fire escape and damaged his teeth and face. His family persuades him to enter a Minnesota clinic, described as “the oldest Residential Drug and Alcohol Facility in the World.” Frey’s enormous alcohol habit, combined with his use of “Cocaine . . . Pills, acid, mushrooms, meth, PCP and glue,” make this a very rough ride, with the DTs quickly setting in: “The bugs crawl onto my skin and they start biting me and I try to kill them.” Frey captures with often discomforting acuity the daily grind and painful reacquaintance with human sensation that occur in long-term detox; for example, he must undergo reconstructive dental surgery without anesthetic, an ordeal rendered in excruciating detail. Very gradually, he confronts the “demons” that compelled him towards epic chemical abuse, although it takes him longer to recognize his own culpability in self-destructive acts. He effectively portrays the volatile yet loyal relationships of people in recovery as he forms bonds with a damaged young woman, an addicted mobster, and an alcoholic judge. Although he rejects the familiar 12-step program of AA, he finds strength in the principles of Taoism and (somewhat to his surprise) in the unflinching support of family, friends, and therapists, who help him avoid a relapse. Our acerbic narrator conveys urgency and youthful spirit with an angry, clinical tone and some initially off-putting prose tics—irregular paragraph breaks, unpunctuated dialogue, scattered capitalization, few commas—that ultimately create striking accruals of verisimilitude and plausible human portraits.
Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.Pub Date: April 15, 2003
ISBN: 0-385-50775-5
Page Count: 384
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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