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THE SAILOR'S ALPHABET

Name: THE SAILOR'S ALPHABET
Author: Michael McCurdy
ISBN: 0-395-84167-4

adapted by Michael McCurdy & illustrated by Michael McCurdy ‧ RELEASE DATE: March 1, 1998

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Some time in the 19th century, a sailor created this sea chantey, a rhythmic song to keep him and his mates working in tandem to keep a ship afloat. McCurdy (Trapped by the Ice!, 1997, etc.) has adapted the chantey into a picture book, with one line on each page—“Oh, A is the anchor and that you all know”—a scratchboard illustration, and a definition of terms below the picture. He makes a mighty effort toward clarity in describing and illustrating this US Navy frigate, although sometimes the vocabulary runs away with him, e.g., “Capstan: A large, spool-shaped winch . . . turned by sailors using capstan bars.” The function of chanteys is explained in a preface, and the whole chantey is reproduced at the end and keyed to an illustration of the full frigate, so all the parts can be seen together. The rectilinear geometry of the scratchboard illustrations is softened by watercolors to resemble old prints, and by the elegant angles found in various perspectives. The sailors in water-blue uniforms are young and rosy, or old and grizzled, and word-buffs and nautical enthusiasts will find plenty to pore over—halyards and lanyards, jibs and vangs. (Picture book. 5-9)

Pub Date: March 1, 1998

ISBN: 0-395-84167-4

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1998

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S POETRY

- BOOK REVIEW
WALDEN THEN AND NOW
by Michael McCurdy & illustrated by Michael McCurdy

- BOOK REVIEW
THE TRAIN THEY CALL THE CITY OF NEW ORLEANS
by Steve Goodman & illustrated by Michael McCurdy

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THE SIGNERS
by Dennis Brindell Fradin & illustrated by Michael McCurdy

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LITTLE DAYMOND LEARNS TO EARN

by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

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How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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ALL THE COLORS OF THE EARTH

by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994

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This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)