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HARD COUNTRY

Name: HARD COUNTRY
Author: Michael McGarrity
ISBN: 978-0-525-95246-6

by Michael McGarrity ‧ RELEASE DATE: May 10, 2012

A well-rendered neoclassic tale of the Old West, worthy of a place alongside Lonesome Dove and Sea of Grass.

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Satisfying oater of the old-fashioned—or at least McMurtryesque—school.

Nobody ever said that taming the Wild West would be easy. But must it involve rattlesnakes dropping down from the ceiling to share the evening meal? It must if you’re hard-bitten John Kerney, who just can’t catch a break, even if he can read. His life out on the dusty plains of West Texas is punctuated by his wife’s death in childbirth, his brother’s murder and too damn many bullets. Enter a helpful stranger who, though he violates the code of taciturnity—“In the brush country of southwest Texas, a man’s past was considered his own business, unless he was otherwise inclined to talk about it”—becomes a protector of sorts for Kerney and the son he has had to leave behind. So, too, is another rawhide-tough buckaroo, Cal Doran, who takes no guff himself. Alas, John is not with the narrative for long before other obligations come due, but his son more than takes his place in a narrative that soon becomes very busy, crowded with real-world characters from late 19th-century New Mexico, among them Pat Garrett (the lawman who gunned down Billy the Kid) and Oliver Lee (the rancher “on the east side of the Tularosa” who may or may not have gunned down a neighbor in a feud that still reverberates). There’s plenty of period detail in this western by mystery novelist McGarrity (Tularosa, 1996, etc.). There’s appropriate language to boot; as a wizened old rancher reflects, for instance, “A waddie looking for work on foot wasn’t typical, and the saddle sure didn’t show much pride.” Yet there’s no anachronism one way or another, not too much Walter Brennan-ish gibberish or too many false concessions to modernity.

A well-rendered neoclassic tale of the Old West, worthy of a place alongside Lonesome Dove and Sea of Grass.

Pub Date: May 10, 2012

ISBN: 978-0-525-95246-6

Page Count: 624

Publisher: Dutton

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Categories:

GENERAL FICTION

- BOOK REVIEW
HEAD WOUNDS
by Michael McGarrity

- BOOK REVIEW
RESIDUE
by Michael McGarrity

- BOOK REVIEW
THE LAST RANCH
by Michael McGarrity

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THE COLOR PURPLE

by Alice Walker ‧ RELEASE DATE: June 28, 1982

A lovely, painful book: Walker's finest work yet.

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Walker (In Love and Trouble, Meridian) has set herself the task of an epistolary novel—and she scores strongly with it.

The time is in the Thirties; a young, black, Southern woman named Celie is the primary correspondent (God being her usual addressee); and the life described in her letters is one of almost impossible grimness. While young, Celie is raped by a stepfather. (Even worse, she believes him to be her real father.) She's made to bear two children that are then taken away from her. She's married off without her consent to an older man, Albert, who'd rather have Celie's sister Nettie—and, by sacrificing her body to Albert without love or feeling, Celie saves her sister, making it possible for her to escape: soon Nettle goes to Africa to work as a Christian missionary. Eventually, then, halfway through the book, as Celie's sub-literate dialect letters to God continue to mount (eventually achieving the naturalness and intensity of music, equal in beauty to Eudora Welty's early dialect stories), letters from Nettie in Africa begin to arrive. But Celie doesn't see them—because Albert holds them back from her. And it's only when Celie finds an unlikely redeemer—Albert's blues-singer lover Shug Avery—that her isolation ends: Shug takes Celie under her wing, becomes Celie's lover as well as Albert's; Shug's strength and expansiveness and wisdom finally free up Nettie's letters—thus granting poor Celie a tangible life in the now (Shug's love, encouragement) as well as a family life, a past (Nettie's letters). Walker fashions this book beautifully—with each of Celie's letters slowly adding to her independence (the implicit feminism won't surprise Walker's readers), with each letter deepening the rich, almost folk-tale-ish sense of story here. And, like an inverted pyramid, the novel thus builds itself up broadeningly while balanced on the frailest imaginable single point: the indestructibility—and battered-ness—of love.

A lovely, painful book: Walker's finest work yet.

Pub Date: June 28, 1982

ISBN: 0151191549

Page Count: 316

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: June 1, 1982

Categories:

LITERARY FICTION | GENERAL FICTION

- BOOK REVIEW
GATHERING BLOSSOMS UNDER FIRE
by Alice Walker ; edited by Valerie Boyd

- BOOK REVIEW
THE CUSHION IN THE ROAD
by Alice Walker

- BOOK REVIEW
THE CHICKEN CHRONICLES
by Alice Walker

- BOOK TO SCREEN
Color Purple Musical Film Signs Director

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TRUE COLORS

by Kristin Hannah ‧ RELEASE DATE: Feb. 9, 2009

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

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Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.