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THE AURORA WAR

A satisfying fantasy opus that will leave readers hungry for Morea’s next work.

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This fantasy debut sees a dark face manipulating two kingdoms into war.

King Regulus has asked Magnus, the hero of the Great War that was fought five years ago, to come out of retirement. Although he’s a farmer now, Magnus is still known as the Phoenix of Regulus, and he remains the kingdom’s most honorable military man. He agrees to go on a diplomatic mission to Catalia, a nearby realm that’s approaching civil war. Magnus doesn’t get the chance to broker peace between the rebels and King Tobias’ forces, however, as his Regulan detachment, including 18-year-old knights Sain and Trun, suffer a Catalian ambush. Magnus and his men recover in Tset, the rebels’ capital. Their leader, Lord Garon, convinces the Phoenix to help them in their fight. Dagab, Catalia’s capital, has become a brutal place where a group of judges execute citizens who speak against them. When the judges’ field commander, Ragin, loses against Magnus on the Fillandrosa battleground, the group recalls Ragin’s soldiers from the western front. Sain then attempts to assassinate Ragin, but before he can, a shadowy creature captures Sain and transports him to Dagab. There, the knight meets Ragin’s sister, Fea, a rebel organizer. A demon, meanwhile, is using humans as pawns to reach the Aurora, a power source that comes from Velestra, the Goddess of Judgment. Author Morea sets an elaborate table, heaped with spiritual reckonings, magic-tinged war, and politics that mirror the current congressional gridlock. As an example of the dark tone, Fea grimly wonders if the phrase “all is well in Catalia” is “a sarcastic joke Dagabians told themselves or a convenient fiction they all bought into.” On the spiritual side, a man named Zelious guides Sain in matters of fighting and faith, telling him that “There are some things that are better left discovered, not told.” However, what truly separates Morea’s epic fantasy from so many others is its narrative compression, as events roll by quickly and ferociously, with plot enough to fill two volumes. The author also crafts a stunning finale for his well-traveled cast.

A satisfying fantasy opus that will leave readers hungry for Morea’s next work.

Pub Date: Oct. 22, 2017

ISBN: 978-1-974345-26-7

Page Count: 537

Publisher: CreateSpace

Review Posted Online: April 10, 2018

Kirkus Reviews Issue: June 15, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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