A memorable story of the healing powers of art, nature, and human kindness.
When the ship carrying 5-year-old Allen Williams and his mother founders off Cornwall’s Scilly Isles, lighthouse keeper Benjamin Postlethwaite comes to the rescue.
Allen’s English father has died, and he and his French mother are going to live with his paternal grandparents on Dartmoor. After sheltering in the lighthouse, whose walls are covered in Benjamin’s paintings of boats, Allen is sent away with the gift of a small work painted on a scrap of wood. This secret treasure and memories of the comfort of that night sustain Allen through his mother’s depression, life with unaffectionate grandparents, and banishment to boarding school. His letters to Benjamin are never answered, but at 17, Allen finds his way back. The lighthouse is no longer in use; however, there is an injured puffin—the first on Puffin Island in over a century. Benjamin and Allen nurse him back to health, the question of the unanswered letters is solved, the puffin returns with friends, and the peaceful idyll is interrupted only by World War II. But happier times are in store. Warmhearted, sincere, and nostalgic but never treacly, the gentle text is elevated by color illustrations showing towheaded Allen growing from boy to man along with irresistibly charming puffins and evocative landscapes. The book is dedicated to Allen Williams Lane, the author’s father-in-law and founder of Penguin Books; aftermatter describes the Puffin imprint’s history and impact on children’s literature.
A memorable story of the healing powers of art, nature, and human kindness. (Historical fiction. 7-11)Pub Date: Feb. 15, 2022
ISBN: 978-0-7352-7180-7
Page Count: 112
Publisher: Puffin/Penguin Random House Canada
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
PERSPECTIVES
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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