A memorable story of the healing powers of art, nature, and human kindness.
When the ship carrying 5-year-old Allen Williams and his mother founders off Cornwall’s Scilly Isles, lighthouse keeper Benjamin Postlethwaite comes to the rescue.
Allen’s English father has died, and he and his French mother are going to live with his paternal grandparents on Dartmoor. After sheltering in the lighthouse, whose walls are covered in Benjamin’s paintings of boats, Allen is sent away with the gift of a small work painted on a scrap of wood. This secret treasure and memories of the comfort of that night sustain Allen through his mother’s depression, life with unaffectionate grandparents, and banishment to boarding school. His letters to Benjamin are never answered, but at 17, Allen finds his way back. The lighthouse is no longer in use; however, there is an injured puffin—the first on Puffin Island in over a century. Benjamin and Allen nurse him back to health, the question of the unanswered letters is solved, the puffin returns with friends, and the peaceful idyll is interrupted only by World War II. But happier times are in store. Warmhearted, sincere, and nostalgic but never treacly, the gentle text is elevated by color illustrations showing towheaded Allen growing from boy to man along with irresistibly charming puffins and evocative landscapes. The book is dedicated to Allen Williams Lane, the author’s father-in-law and founder of Penguin Books; aftermatter describes the Puffin imprint’s history and impact on children’s literature.
A memorable story of the healing powers of art, nature, and human kindness. (Historical fiction. 7-11)Pub Date: Feb. 15, 2022
ISBN: 978-0-7352-7180-7
Page Count: 112
Publisher: Puffin/Penguin Random House Canada
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
PERSPECTIVES
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Another uproarious romp that explores what it is to be good as well as do good.
The foursome of reformed villains returns with a new mission and new team member in a continued effort to repair their reputations in Blabey's (The Bad Guys, 2017) rollicking sequel.
This second installment opens with our would-be heroes, Mr. Wolf, Mr. Snake, Mr. Shark, and Mr. Piranha, fresh from their bold liberation of the local pound, finding that the media is not spinning in their favor. Accused of terrorizing rather than rescuing, the group (at least Mr. Wolf) refuses to admit defeat—"We're the GOOD GUYS here!"—and begins planning a new mission to free innocent chickens from their deplorable confinement in the Sunnyside Chicken Farm. But if the team can't work together—something all the more difficult with the team a little panicked by the addition of Legs (a friendly, tech-genius tarantula) and one of the group suspiciously excited to greet the chickens—a rescue mission may be all but impossible. Despite some language devaluing of mental diversity (“freak out,” “loco,” etc.) that may turn some readers off, Blabey once again deploys moral ambiguity to overall success, challenging fear as a justification for prejudice and mistakes as reasons to give up. The narrative has lost no comic momentum from first to second book, juxtaposing classic riffs on Mission Impossible and new visual gags unique to these delightfully wry characters.
Another uproarious romp that explores what it is to be good as well as do good. (Fiction. 7-11)Pub Date: Feb. 28, 2017
ISBN: 978-0-545-91241-9
Page Count: 144
Publisher: Scholastic
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
