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STRANGE FLESH

Sex, lies and video all play a role in the unraveling of a lusty, gifted hacker.

Readers can choose their poison in this richly composed slab of transgressive fiction by debut novelist Olson—say, a healthy measure of Neal Stephenson crossed with a slice of Warren Ellis with a serious splash of Nicholson Baker’s sex novels. Crossing the barrier between sex, games and virtual reality, the book is likely to be the only Marquis de Sade–influenced thriller this year. It starts with a bit of Social Network aristocracy, introducing narrator James Pryce, a Harvard-educated social engineer with exclusive security firm Red Rook. “We Socials believe that a bug in your firewall program, once discovered, can be patched in minutes, but the software running the human brain will stay broken forever,” muses the hacker. James’ talents have been especially requested by twin media moguls Blake Randall and his sister Blythe, with whom Pryce has a troubled, heated history. Their brother Billy, a rogue performance artist of sorts, has gone missing with the threat to bring down their empire. James is tasked with infiltrating Billy’s playground, GAME, a high-tech artists’ colony whose home base is a virtual-reality simulation called NOD. Once inside, James meets a voracious Russian femme fatale who introduces him to her click’s secret project, “Imminent Teledildonics,” a state-of-the-art sex simulation. Meanwhile, Billy’s avatar is inspiring a wildly complex chase through NOD inspired by The 120 Days of Sodom. It all gets to be a bit much for James, whose clever asides neatly cool the wrought-iron tension of the plot. “Maybe I need to take measures to get my personal shit together,” he wonders. “Tamp down the Byronic passions I’m starting to feel for this tarted-up vacuum cleaner.” For readers with a penchant for this volatile mix of sex, violence and technology, the payoff is rich indeed. A profane, heady thriller more startling and compelling than its individual components and influences might demonstrate.

 

Pub Date: April 3, 2012

ISBN: 978-1-4516-2757-2

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Feb. 18, 2012

Kirkus Reviews Issue: March 1, 2012

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SOMETIMES I LIE

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will...

A pathological liar, a woman in a coma, a childhood diary, an imaginary friend, an evil sister—this is an unreliable-narrator novel with all the options.

"A lot of people would think I have a dream job, but nightmares are dreams too." Was it only a week ago Amber Reynolds thought her job as an assistant radio presenter was a nightmare? Now it's Dec. 26 (or Boxing Day, because we're in England), and she's lying in a hospital bed seemingly in a coma, fully conscious but unable to speak or move. We won't learn what caused her condition until the end of the book, and the journey to that revelation will be complicated by many factors. One: She doesn't remember her accident. Two: As she confesses immediately, "Sometimes I lie." Three: It's a story so complicated that even after the truth is exposed, it will take a while to get it straight in your head. As Amber lies in bed recalling the events of the week that led to her accident, several other narrative threads kick up in parallel. In the present, she's visited in her hospital room by her husband, a novelist whose affections she has come to doubt. Also her sister, with whom she shares a dark secret, and a nasty ex-boyfriend whom she ran into in the street the week before. He works as a night porter at the hospital, giving him unfortunate access to her paralyzed but not insensate body. Interwoven with these sections are portions of a diary, recounting unhappy events that happened 25 years earlier from a 9-year-old child's point of view. Feeney has loaded her maiden effort with possibilities for twists and reveals—possibly more than strictly necessary—and they hit like a hailstorm in the last third of the book. Blackmail, forgery, secret video cameras, rape, poisoning, arson, and failing to put on a seat belt all play a role.

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will enjoy this ambitious debut.

Pub Date: March 13, 2018

ISBN: 978-1-250-14484-3

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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THE BUTCHER

The secrets of the past refuse to keep quiet in this disquieting, taut thriller.

Thirty years ago, Seattle Police Capt. Edward Shank put down a serial killer dubbed the Butcher. Edward’s bullet ended Rufus Wedge’s sorry life. But did the killings end?

Hillier’s (Freak, 2012, etc.) third thriller fairly shudders with tension. Edward is ready to retire to an assisted living facility and give his grandson, Matt, the family home, a beloved Victorian in a posh neighborhood. An up-and-coming chef, Matt has parlayed his successful food-truck business into Adobo, the hottest restaurant in town, and the reality show networks are calling. The only trouble is that his girlfriend, Samantha, can’t understand why Matt hasn’t invited her to move in, too. After all, they’ve been together for three years. Pressuring Matt, though, isn’t getting her anywhere, and even their friend—well, really Sam’s friend—Jason is a little mystified. Certainly, Matt’s history of anger management trouble gives Jason pause. While Matt renovates the house and works late, Sam turns back to researching her latest true-crime book. This time, she has a personal investment. She’s convinced that her mother was killed by the notorious Butcher. Bored at the retirement home, Edward has become an invaluable sounding board. Like the Butcher’s other victims, Sam’s mother was raped, strangled and left in a shallow grave. Unfortunately for Sam’s theory, her mother was killed two years after Rufus Wedge’s death. Meanwhile, Matt’s contractor has unearthed a crate filled with gruesome artifacts. As Matt investigates the crate’s contents and Sam questions a mysterious informant, their romance unravels and the body count begins to rise. Hillier sends her reader into a labyrinth of creepy twists and grotesque turns. There’s no escape from the brutal truths exposed.

The secrets of the past refuse to keep quiet in this disquieting, taut thriller.

Pub Date: July 15, 2014

ISBN: 978-1-4767-3421-7

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: June 17, 2014

Kirkus Reviews Issue: July 1, 2014

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