Thriller enthusiasts will want to add this well-sculpted heist drama to their collections.
In this thriller, a security guard gets involved in a scheme to steal a trio of Matisse sculptures from a museum, a plan that ultimately leads him to fight for his innocence and his life.
Camden Swanson, a San Francisco security guard, admits to a stunningly tall, sexy woman: “I’m a lazy drunk who’s a complete loser.” On behalf of her “clients,” the unnamed woman hires him to be part of an elaborate art theft at the museum where he’s worked for six months. Formerly, Camden wrote for a newspaper in Boston, where he broke a story on a major art heist. Then, in San Francisco, he produced an LSD–fueled article claiming the city was under attack by monkeylike creatures that resulted in the end of his journalism career. Camden’s successful girlfriend, artist Georgia Léveque, supports him, but that gravy train is poised to derail. So the offer of a hefty payment to play a role with other co-workers (including the crushworthy Veronica Zarcarsky) in the robbery of three Matisses is an offer Camden can’t refuse. But before the theft can take place, another robber snags the sculptures. The tall woman’s clients, who believe Camden was part of the operation, are out for payback. Ostrowski, a former resident of both Boston and San Francisco, thoroughly knows the territory the intriguing characters roam. The places range from a hidden foodie gem in Boston’s North End to where the steep slope of Powell Street meets Sutter in the San Francisco fog. The author also worked as a gallery guard, but his name-checking of artists seems excessive, and his estimate of how much a successful young artist can command is unrealistic. Still, humor weaves throughout the smoothly written story. For example, Camden says his wine has an intense black cherry taste “with a hint of clowns on a bright summer day.” But the mood can change quickly. The tension rises in this enjoyable tale as unhappy clients attack, often fatally.
Thriller enthusiasts will want to add this well-sculpted heist drama to their collections.Pub Date: Sept. 21, 2020
ISBN: 978-1-950301-11-9
Page Count: 374
Publisher: Quill
Review Posted Online: Oct. 30, 2020
Review Program: Kirkus Indie
PROFILES
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
An entertaining thriller if you can give yourself over to its sillier plot devices.
Sager returns with his take on a gothic whodunit set on the coast of Maine.
The year is 1983. Kit McDeere is a disgraced home caregiver who has one chance to redeem herself: She's assigned to look after the ailing, elderly Lenora Hope, a local Lizzie Borden figure. Back in 1929, Lenora allegedly murdered her parents and sister, and now, along with her remaining staff, she resides at Hope’s End, the Gothic mansion on Maine’s crumbling cliffs where the murders took place. Lenora can't speak following a series of strokes, but with Kit’s help, she can type, and she wants to tell her story once and for all, confiding in Kit what happened on the night of the infamous murders. The novel moves between Kit’s narration in the present and Lenora’s typewritten account of her life leading up to the incident. Early on, the novel evokes such genre classics as “The Fall of the House of Usher” and Rebecca, establishing a moody atmosphere and intriguingly suspicious characters. However, this novel lacks the psychological realism of its influences. Sager doesn’t play with gothic tropes so much as he simply traffics in them. The first half of the book is tense and propulsive, but in later chapters the narrative takes so many outlandish turns so quickly that it borders on camp. Characters act in ways that are clichéd and implausible, and they are given cartoonish dialogue to match their behavior. Villains confess easily, in long speeches that strain credulity, and a subplot around paternity takes on the flavor of a telenovela. Multiple scenes involve characters emerging from doorways to reveal they were there all along. (Gasp!) That said, the novel reads quickly and provides a thrilling, if goofy, ride for those with a high tolerance for plot hijinks and a fondness for Guillermo del Toro’s Crimson Peak.
An entertaining thriller if you can give yourself over to its sillier plot devices.Pub Date: June 20, 2023
ISBN: 9780593183229
Page Count: 400
Publisher: Dutton
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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