An excellent, much-needed contribution to the constant battle to sort truth from falsity.
How the Internet and “Google-knowing” can aggravate our tendency to be unreasonable.
Lynch (Philosophy, Director of the Humanities Institute/Univ. of Connecticut; In Praise of Reason: Why Rationality Matters For Democracy, 2012, etc.) takes issue with the widely accepted notion that the Internet is a net benefit because it makes more information available to more people more quickly and easily. He is concerned with the consequences of a growing confusion between our receptivity to information and informed understanding as well as the advantages taken by data companies based on surveillance and systematic invasions of privacy. Lynch fears the growing impact of rumors and false information through what he calls “information cascades.” Social media and the Internet in general, he writes, “are particularly susceptible” to a phenomenon comparable to “mob mentality.” After the 2013 Boston Marathon bombing, a photograph of a man and wounded woman were circulated, along with the story that the man had been about to propose marriage. However, the story was made up. Lynch argues that the trust people give to their sources of information can be both misplaced and abused. The Internet gives us more to disagree about and more sources to choose from. Given that many people limit whom they talk to and trust, those they agree with and think are authorities, the author is concerned that the Internet is increasing group polarization and the emergence of what he calls “isolated tribes.” For him, reasonableness can go by the wayside when people begin to discuss the different principles on which their views are based. However, the Internet did not cause people to act this way. Lynch effectively presents the case for rationality against factional loyalties and insists that there should be vigorous promotion of scientific methods and thinking in public discourse. This activity would encourage the positive habits of evaluating authority and sources.
An excellent, much-needed contribution to the constant battle to sort truth from falsity.Pub Date: March 21, 2016
ISBN: 978-0-87140-661-3
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
