by Michael-Paul Terranova illustrated by Michael-Paul Terranova developed by Curious Circus ‧ RELEASE DATE: Jan. 29, 2012
A no-frills, sound-effects–driven “story” that has a decent rhythm, reliable interactive elements, simple navigation and a...
A basic exploration of assorted bodily sounds, including—and perhaps featuring—those considered “rude.”
In keeping with the simplicity of their 2011 releases (Max’s Temper Turnaround; Splotch: The Center), the developers use plain, geometrical characters and minimalist features to demonstrate the various sounds that our bodies make. We can whistle, clap, snap, hum and tap our feet. "[Mumbling] some" provides a transition from more socially acceptable noises to those that might be considered impolite: yelling, shrieking, snorting and snarling, to name only a few. The story builds, however, to a churlish finish by featuring burping, belching and farting—the last of which is deemed rude, gross, indecent and… fun. Each bodily utterance is demonstrated by tapping the characters that introduce them, and when it comes to flatulence, readers are encouraged not to do it in public (or at least to say “excuse me” if they do). All characters congregate on the final page to offer their own expressions of what it sounds like to pass gas, a finale that is sure to be a hit with the potty humor crowd (good luck getting the kids to move on).
A no-frills, sound-effects–driven “story” that has a decent rhythm, reliable interactive elements, simple navigation and a splash of age-appropriate vulgarity thrown in for good measure. (iPad storybook app. 3-6)Pub Date: Jan. 29, 2012
ISBN: N/A
Page Count: -
Publisher: Curious Circus
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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New York Times Bestseller
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by Adam Rubin & illustrated by Daniel Salmieri ‧ RELEASE DATE: June 14, 2012
A wandering effort, happy but pointless.
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14
New York Times Bestseller
IndieBound Bestseller
The perfect book for kids who love dragons and mild tacos.
Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.
A wandering effort, happy but pointless. (Picture book. 3-5)Pub Date: June 14, 2012
ISBN: 978-0-8037-3680-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
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