A delightful chronicle of the education of a cook who steps back frequently to extol the scientific and philosophical basis...
Having described what’s wrong with American food in his best-selling The Omnivore’s Dilemma (2006), New York Times contributor Pollan (Journalism/Univ. of California; Food Rules, 2012, etc.) delivers a more optimistic but equally fascinating account of how to do it right.
The author mixes journalistic encounters with tales of skilled, often relentlessly obsessive cooks who demonstrated the art of transforming the products of nature into tasty food and then tried, with spotty success, to teach him to do the same. Four sections describe this transformation with the four classical elements: fire, water, air and earth. Humans cooked with fire first. Preparing meat over an open flame retains its appeal in the ritual of the backyard barbecue, but Pollan illustrates the original in its purest form, working with pit masters of the Old South to roast pigs very slowly over a smoldering wood fire. Cooking with liquids came later when human invented pots, and cooking moved indoors. After musing on the exquisite Zen boredom involved in chopping onions, Pollan discusses his work with an enthusiastic Chez Panisse chef, who schooled him in the subtleties required for perfect stews, braises, soups, sauces and stocks. Air plus grain equals bread; earth provides bacteria and yeasts to perform the alchemy of brewing, fermenting, pickling and cheese-making. Turning food preparation over to corporations saves the average family 30 minutes per day in exchange for an avalanche of extra sugar, salt, fat and chemicals that costs more and tastes worse.
A delightful chronicle of the education of a cook who steps back frequently to extol the scientific and philosophical basis of this deeply satisfying human activity.Pub Date: April 23, 2013
ISBN: 978-1594204210
Page Count: 480
Publisher: Penguin Press
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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