A good adventure yarn, with plenty of historical atmosphere and local color.
A debut from Washington, D.C., attorney Punke describes the perilous adventures of a 19th-century frontiersman bent on revenge.
Hugh Glass apparently anticipated Horace Greeley’s advice about going west and growing up with the country, for that is precisely what he did. The son of a Philadelphia bricklayer, Glass became accustomed to living by his wits as a young man and during the War of 1812 made good money as a blockade-runner. Captured by Jean Lafitte’s pirates, however, he was faced with the choice of switching sides or walking the plank. He switched. Eventually he fell into the hands of the Spanish, who tossed him ashore south of Galveston and told him to turn north and keep walking. In Missouri, Glass joined an expedition of the Rocky Mountain Fur Company and, in the novel, travels inland to trap and trade in what, 20 years after Lewis and Clark, is still largely uncharted territory. After being badly mauled by a grizzly bear, Hugh is left in the care of two comrades, John Fitzgerald and Jim Bridger, who quickly decide that he’s a goner and not worth waiting for. They take his rifle and knife and abandon him to die alone. Miraculously, however, Glass not only survives but also manages to get back to St. Louis, even though he has to crawl much of the way. After he recuperates, his one thought is of revenge, and he sets out with all the tenacity of a good trapper to hunt down Fitzgerald and Bridger. Like any frontiersman, Hugh finds that he can’t hope to survive, much less succeed, without the help of the Indians, and he soon acquires a knowledge of their ways and lore. Eventually, his former betrayers find themselves face to face with a Revenant—a man come back from the dead.
A good adventure yarn, with plenty of historical atmosphere and local color.Pub Date: July 1, 2002
ISBN: 0-7867-1027-6
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
SEEN & HEARD
When you’re done binge-watching The Crown, pick up this multifaceted wartime thriller.
During German bombing raids on London during World War II, the young princesses Elizabeth and Margaret are secreted away to Ireland for protection.
Clonmillis Hall has seen better days. A large estate in rural Ireland belonging to the Duke of Edenmore, Clonmillis, by virtue of Ireland’s neutrality in the war, feels a world away from the bombs raining down on England. But during a secret meeting in Dublin, arrangements are made: King George’s two young daughters need to be kept safe during the Blitz, and remote Ireland seems the perfect place. The result is a series of domestic and professional frictions of nationality, class, religion, and gender. There is Dick Lascelles, the louche, charismatic diplomat in charge of the arrangements. Detective Garda Strafford, whose Anglo-Irish background sets him somewhat apart from his countrymen, oversees the estate’s security. Special Agent Celia Nashe, posing as a governess, is caught between her professional duties and being a surrogate caretaker to the serious elder princess, code-named “Ellen,” and the fiery younger girl, “Mary.” There is the irascible Duke and his household staff, who have varying levels of knowledge of the plot, and then there are those outside the estate who would seek to undermine the safety of everyone on it. Black (the pen name of Booker Prize–winning novelist John Banville) continues his storied career in the same vein as his most recent novel, Wolf on a String (2017), a historical mystery set in Prague, though his return here to his native Ireland is a welcome one. As ever, Black’s gifts of rich description and deft characterization are on display, and if the first half of the novel is more leisurely than a typical political thriller, its second half positively gallops.
When you’re done binge-watching The Crown, pick up this multifaceted wartime thriller.Pub Date: Jan. 14, 2020
ISBN: 978-1-250-13301-4
Page Count: 304
Publisher: Henry Holt
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
A vivid setting and a devious, deadly plot, though the first is a bit overdone and the second contains a few...
In 1956, a pair of college roommates meets again in Tangier, with terrifying results.
“At first, I had told myself that Tangier wouldn’t be so terrible,” says Alice Shipley, a young wife dragged there by her unpleasant husband, John McAllister, who has married her for her money. He vanishes every day into the city, which he adores, while Alice is afraid to go out at all, having once gotten lost in the flea market. Then Lucy Mason, her one-time best friend and roommate at Bennington College, shows up unannounced on her doorstep. “I had never, not once in the many moments that had occurred between the Green Mountains of Vermont and the dusty alleyways of Morocco, expected to see her again.” Alice and Lucy did not part on good terms; there are repeated references to a horrible accident which will remain mysterious for some time. What is clear is that Lucy is romantically obsessed with Alice and that Alice is afraid of her. In chapters that alternate between the two women’s points of view, the past and the present unfold. The two young women bonded quickly at Bennington: though Alice is a wealthy, delicate Brit and Lucy a rough-edged local on scholarship, both are orphans. Or at least Lucy says she is—from the start, there are inconsistencies in her story that put Alice in doubt. And while Alice is so frightened of Tangier that she can’t leave the house, Lucy feels right at home: she finds the maze of souks electrifying, and she quickly learns to enjoy the local custom of drinking scalding hot mint tea in the heat. She makes a friend, a shady local named Joseph, and immediately begins lying to him, introducing herself as Alice Shipley. Something evil this way comes, for sure. Mangan’s debut pays homage to The Talented Mr. Ripley and to the work of Daphne du Maurier and Shirley Jackson.
A vivid setting and a devious, deadly plot, though the first is a bit overdone and the second contains a few head-scratchers, including the evil-lesbian trope. Film rights have already been sold; it will make a good movie.Pub Date: March 27, 2018
ISBN: 978-0-06-268666-4
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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