Despite featuring familiar creatures, this series opener delivers solidly entertaining mythmaking.
A teenage princess in a mystical land secretly trains in mortal combat and survival strategies when elves unveil her destiny in liberating her people from dark magic.
Rothman’s heroic fantasy novel is the first chapter in his Prophecy saga, about the Rivertons, a contemporary American family. They accidentally pass through “the veil between worlds,” conveniently close to their house, and find themselves stuck in the magical land of Trimoria. There, all of them (even the family cat) assume legendary roles in a vast struggle of good against evil. But in this kickoff, the spotlight is off the Riverton household and on the natives of Trimoria. Hero Arabelle is the pampered and protected teenage daughter of Honfrion, a nomadic sheikh, and his caravan. In the aftermath of a “demon war” that left much of the planet partitioned off by deadly mist barriers, Honfrion’s people wander Trimoria in thrall to Azazel, a centuries-old dark wizard (who in turn serves an evil elf queen). Headstrong Arabelle, inheriting her mother’s prophetic powers, yearns for more out of life—and she gets it when an attack by a corrupted creature doses her with a venom she must counteract with exercise and other activities. The virtuous, secretive elves (and a godlike being called Seder) inform Arabelle that even with the poison threatening her life, she is crucial to fulfilling a prophecy that will free Trimoria from its diabolical tormentors. But the way is hard and dangerous, and it involves strangers (readers can guess who) coming from somewhere outside. Meanwhile, Azazel, ever on guard for any threat, including unauthorized magic, has his vicious, part-ogre minion Kirag and elite Talon patrols watching for any irregularities. The author adroitly handles genre mainstays like dwarfs, dragons, elves, and warlocks in a manner that will find approval among sword-and-sorcery fans, especially ones in the YA crowd seeking women-fronted material presented in a fairly noncondescending manner. During her adventures, Arabelle has to be rescued from time to time, but she also proves her mettle more than once in this captivating story. Those who enjoy this curtain opener will likely continue for the ride in the next volumes.
Despite featuring familiar creatures, this series opener delivers solidly entertaining mythmaking. (author bio)Pub Date: June 29, 2020
ISBN: N/A
Page Count: -
Publisher: Primordial Press
Review Posted Online: May 13, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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