Despite featuring familiar creatures, this series opener delivers solidly entertaining mythmaking.
A teenage princess in a mystical land secretly trains in mortal combat and survival strategies when elves unveil her destiny in liberating her people from dark magic.
Rothman’s heroic fantasy novel is the first chapter in his Prophecy saga, about the Rivertons, a contemporary American family. They accidentally pass through “the veil between worlds,” conveniently close to their house, and find themselves stuck in the magical land of Trimoria. There, all of them (even the family cat) assume legendary roles in a vast struggle of good against evil. But in this kickoff, the spotlight is off the Riverton household and on the natives of Trimoria. Hero Arabelle is the pampered and protected teenage daughter of Honfrion, a nomadic sheikh, and his caravan. In the aftermath of a “demon war” that left much of the planet partitioned off by deadly mist barriers, Honfrion’s people wander Trimoria in thrall to Azazel, a centuries-old dark wizard (who in turn serves an evil elf queen). Headstrong Arabelle, inheriting her mother’s prophetic powers, yearns for more out of life—and she gets it when an attack by a corrupted creature doses her with a venom she must counteract with exercise and other activities. The virtuous, secretive elves (and a godlike being called Seder) inform Arabelle that even with the poison threatening her life, she is crucial to fulfilling a prophecy that will free Trimoria from its diabolical tormentors. But the way is hard and dangerous, and it involves strangers (readers can guess who) coming from somewhere outside. Meanwhile, Azazel, ever on guard for any threat, including unauthorized magic, has his vicious, part-ogre minion Kirag and elite Talon patrols watching for any irregularities. The author adroitly handles genre mainstays like dwarfs, dragons, elves, and warlocks in a manner that will find approval among sword-and-sorcery fans, especially ones in the YA crowd seeking women-fronted material presented in a fairly noncondescending manner. During her adventures, Arabelle has to be rescued from time to time, but she also proves her mettle more than once in this captivating story. Those who enjoy this curtain opener will likely continue for the ride in the next volumes.
Despite featuring familiar creatures, this series opener delivers solidly entertaining mythmaking. (author bio)Pub Date: June 29, 2020
ISBN: N/A
Page Count: -
Publisher: Primordial Press
Review Posted Online: May 13, 2020
Review Program: Kirkus Indie
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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