Readers will see so much of the action coming that they'll wonder why the characters can't.
An online reality show goes looking for a long-rumored cave in the Grand Canyon, with horrific consequences.
Nolan Moore is the host of a show in which he and his crew investigate phenomena and tall tales respectable archaeologists have long since dismissed. For their latest outing, the group is joined by a flaky representative of the foundation underwriting their work (the character's name is actually Feather) and an investigative journalist determined to expose Nolan as a charlatan. Their source is a newspaper account from more than 100 years ago claiming discovery of a cave high up in the walls of the Grand Canyon containing artifacts that suggest a lost civilization. The team has no trouble finding the cave—and anyone who's been to a horror movie in, say, the past 40 years will know that that's only the beginning of their troubles. What follows is a mishmash of Indiana Jones, hoo-hah about the unearthing of long-buried secrets, and the type of horror movies (The Descent and Bone Tomahawk are recent examples) in which a small band of characters are picked off one by one by at-first-unseen adversaries. There are betrayals, feats of sacrificial courage, and survivors who emerge with Secret Knowledge Which Cannot Be Spoken Of. It's mildly engrossing, appropriately icky, very familiar, and wholly ludicrous.
Readers will see so much of the action coming that they'll wonder why the characters can't.Pub Date: June 19, 2018
ISBN: 978-1-5387-6185-4
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
A storytelling machine, Jance in her 41st (Trial by Fire, 2009, etc.) is at the top of her game and just about irresistible.
Jance offers that rare—and welcome—hybrid: the suspense novel with heart.
Jonathan Southard is one of those unhappy men whose unrequited love affair with life has caused a volatile, long-term, internal simmering. One day the mixture explodes, resulting in a crime that is both horrific and, in a sense at least, foreseeable. He shoots his wife, her dog and their two young children, construing this last as an act of mercy inasmuch as it will spare them an aftermath of humiliation and shame. Having wiped out his San Diego family, he sets off for Tucson and the home of his mother, planning to clean the slate. He’s always hated Abby Tennant, attributing to her voluminous maternal shortcomings, of which she is largely innocent. With less difficulty than Southard expected, the bodies are discovered, clues are put together, identities established and soon enough the manhunt is on, participated in by multiple police forces from several states. Among these are the elite Shadow Wolves, Indians who patrol reservation land near the Mexican border. Enter Dan Pardeey. Half Anglo, half Apache, he has a special connection to the small survivor of another of Southard’s monstrous crimes. Angelina Enos, age four, has remained alive only by virtue of being tiny enough to escape notice. Eerily, this parallels Pardee’s own long-ago experience, and when she reaches out to him he has no choice but to respond. Because he does, his life is irrevocably changed and, in a kind of chain reaction, so are the lives of a variety of other players, one way or another, for good or ill, in Jance’s absorbing cast.
A storytelling machine, Jance in her 41st (Trial by Fire, 2009, etc.) is at the top of her game and just about irresistible.Pub Date: July 27, 2010
ISBN: 978-0-06-123924-3
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: June 14, 2010
Kirkus Reviews Issue: July 1, 2010
Clear directions, but don’t try the rope trick at home.
A gay cop is found hanged. Was it suicide, murder, or kinky sex gone wrong? Street-smart Minneapolis police detectives Sam Kovac and Nikki Liska, back on the beat after Ashes to Ashes (1999), learn a lot about autoerotic asphyxiation while trying to crack the case.
Sam and Nikki remain tough but likable protagonists as they investigate a long list of possible suspects: the victim’s alcoholic father, a partially paralyzed cop; a jealous older brother with a taste for violence; a mysterious blond socialite of amazing strength; a hero cop turned crime-show host; and so on. But the detectives also view a home video unwittingly left to posterity by a hapless devotee of self-stimulation through suffocation that suggests the possibility of accidental death. (The author points out, somewhat in the style of a public-service announcement, that many teenage suicides by hanging may well be experimentation of this kind gone tragically wrong.) Unlike the sadistic sexual practices on display in Ashes to Ashes, this particular perversion is more pathetic than titillating, although Hoag tries hard to crank up the suspense. Energetic, down-to-earth prose and realistically gritty dialogue help push the workmanlike plot to its complex conclusion, but a notepad and pencil may come in handy to remember who shot whom, when, and why. Unfortunately, the author has chosen to write about a milieu with which she is clearly unfamiliar: urban gay life (here, exclusively male). Not wanting to offend or get too far into the seamier side of gay culture, Hoag settles for bland political correctness and a balanced ratio of 50 percent good gay guys to 50 percent bad gay guys. In dramatic terms, they cancel each other out, and none of them is particularly believable. For all the double-crosses, dire threats, and crashing around with guns, the story just isn’t thrilling or chilling. But it does move—and fast.
Clear directions, but don’t try the rope trick at home.Pub Date: Aug. 8, 2000
ISBN: 0-553-10634-1
Page Count: 368
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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