by Michael Seth Starr ‧ RELEASE DATE: April 24, 1997
TV's beloved ``Ed Norton'' finally gets his due in a breezy, often incisive biography. Considering the fact that Art Carney's creation in The Honeymooners shows no signs of diminishing popularity more than 40 years after his debut, and that his work outside the series has shown extraordinary range from low comedy to darkest tragedy, peaking in his Oscar-winning performance in Harry and Tonto, it's startling to realize that no book on his life has been published until now. Perhaps it was the actor's own shy and reclusive nature that prevented other attempts. But Carney is fortunate to have found his biographer in Starr, TV columnist for the New York Post. This is a brief book by current standards but so densely packed with information that it's hard to imagine what might have been missed. Starr traces Carney's professional career from his days as an impressionist and radio actor, to stardom on The Jackie Gleason Show, and on to his emergence from Gleason's shadow into a remarkable solo career. Starr also turns a sensitive eye to Carney's rockier personal life: Public triumphs were constantly undermined by alcoholism and bouts of deep depression. Starr appears to have talked to virtually everyone who ever knew or worked with Carney (though not Carney himself), and he wisely lets these friends and acquaintances tell their own stories. He keeps his own voice clear but refreshingly impartial. Art Carney emerges from these pages as a kind, gentle man who, tragically, has seldom found the love for himself that his millions of fans give him without qualification. Starr's perceptive biography presents its subject as a man who became legendary, not through hype or self-promotion, but through the sheer force of his talent. (16 pages b&w photos, not seen)
Pub Date: April 24, 1997
ISBN: 0-88064-173-8
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Charles Grodin ‧ RELEASE DATE: Oct. 3, 1994
Actor, director, producer Grodin (How I Get Through Life, 1992) makes an appearance as a purveyor of theatrical anecdotes. Noel Coward he's not. Written between takes during the production of his recent film Heart and Souls, this disjointed effort to depict Grodin's career as Mister Showbiz is not uniformly dull, to be sure, but the proud exhibitions of putative wit are wan indeed. After a Nixonesque assertion that, unlike the characters he has played, he is ``not a jerk,'' Grodin recounts all the clever things he's done and said. Obviously, he is no jerk, but with banalities on the order of ``sometimes life feels so short and strange,'' he's not the deepest thinker, either. This backstager sometimes reads like a parody of personal hype. ``Forgive me for this self-aggrandizement,'' he apologizes parenthetically, ``I'm trying to make a point about stupidity.'' It's not all self-centered. For example, there are comments about others—like those who didn't dig his oblique wit or couldn't handle his success. Names drop like hailstones. ``Danny Thomas was a friend of mine whom I knew through his daughter, my friend Marlo.'' Otto Preminger and Diane Sawyer, Art Carney and Oliver Stone, Gilda, Johnny, and Dustin all serve as second bananas to our Chuck. Conversations are recalled, oddly, as scripted dialogue in this stream of self-consciousness. The text begins with spirit as Grodin denies close relationship with most of the ``100 Most Powerful People in Hollywood'' and gains strength again near the end with a diary of the making of Heart and Souls, which has since turned out to be a very modest box-office draw. But, on the whole, the occasional author and full-time light comedian upstages all, including himself. If not quite a bomb, Grodin's latest presentation isn't a hit, either. It's just a dud. (First serial to Premiere; author tour)
Pub Date: Oct. 3, 1994
ISBN: 0-02-545795-0
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Doris Lessing ‧ RELEASE DATE: Sept. 22, 1994
As is to be expected from Lessing (The Real Thing; 1992, etc.), whose clear and always intelligent no-nonsense writing has explored subjects that transcend the commonplace, this first volume of her autobiography reflects all her remarkable strengths. The year of her birth, 1919, was auspicious neither for her parents in particular nor for the world in general. The ill-matched Taylers had married not out of love but out of a mutual need to expunge the horror of the recently ended world war, which had maimed Lessing's father both physically and mentally — he'd lost a leg in battle, but more important, be was embittered by what he considered Britain's poor treatment of her soldiers. Her mother, an able nurse, had lost a fiancÉ, and marriage now seemed to offer only the consolation of children. These disappointments, exacerbated by the harsh life in rural Zimbabwe (then Southern Rhodesia), where her family settled after a stint in Persia, would indelibly shape Lessing. She quarreled frequently with her mother, whose well-meaning strictures she resented; observed her father's despair and his failures as a settler-farmer; and resolved that she would not live like them — "I will not, I will not!" — even if it meant defying convention. Which she did, as she left her first husband and their two children for another man — Gottried Lessing; joined the local Communist Party in the midst of WW II "because of the spirit of the times, because of the Zeitgeist"; and then moved in 1949 permanently to London. Like so many bright and alienated provincials, Lessing found an escape in voracious reading. Though determined to be a writer, the consuming distractions of motherhood, wartime society, and political activities frustrated this ambition for a long time. Refreshingly, not a self-indulgent mea culpa, but a brutally frank examination of how Lessing became what she is — a distinguished writer, a woman who has lived life to the full, and a constant critic of cant.
Pub Date: Sept. 22, 1994
ISBN: 0-06-017150-2
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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