by Michael Seth Starr ‧ RELEASE DATE: April 24, 1997
TV's beloved ``Ed Norton'' finally gets his due in a breezy, often incisive biography. Considering the fact that Art Carney's creation in The Honeymooners shows no signs of diminishing popularity more than 40 years after his debut, and that his work outside the series has shown extraordinary range from low comedy to darkest tragedy, peaking in his Oscar-winning performance in Harry and Tonto, it's startling to realize that no book on his life has been published until now. Perhaps it was the actor's own shy and reclusive nature that prevented other attempts. But Carney is fortunate to have found his biographer in Starr, TV columnist for the New York Post. This is a brief book by current standards but so densely packed with information that it's hard to imagine what might have been missed. Starr traces Carney's professional career from his days as an impressionist and radio actor, to stardom on The Jackie Gleason Show, and on to his emergence from Gleason's shadow into a remarkable solo career. Starr also turns a sensitive eye to Carney's rockier personal life: Public triumphs were constantly undermined by alcoholism and bouts of deep depression. Starr appears to have talked to virtually everyone who ever knew or worked with Carney (though not Carney himself), and he wisely lets these friends and acquaintances tell their own stories. He keeps his own voice clear but refreshingly impartial. Art Carney emerges from these pages as a kind, gentle man who, tragically, has seldom found the love for himself that his millions of fans give him without qualification. Starr's perceptive biography presents its subject as a man who became legendary, not through hype or self-promotion, but through the sheer force of his talent. (16 pages b&w photos, not seen)
Pub Date: April 24, 1997
ISBN: 0-88064-173-8
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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