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THE LAST SWEET BITE

STORIES AND RECIPES OF CULINARY HERITAGE LOST AND FOUND

A revealing inquiry at the intersection of food, culture, war, and power politics.

An examination of the role political violence plays in shaping culinary traditions around the world.

The Indigenous peoples of the Great Plains thrived on a diet that included bison—until, that is, the U.S. Army opened the door to the extermination of the species and the loss of that long interaction. Today, as international human rights activist Shaikh writes, Native American chefs and food historians are working to restore some of those traditions, as with one Pueblo entrepreneur who follows the traditional view that “people are withinand partof their ecosystem, not separate from it.” Food is often wielded as a weapon: Shaikh writes, for example, of the German right-wing Alternative für Deutschland party’s campaign to promote alcohol and pork with an ad campaign showing baby pigs and the slogan, “Islam? It doesn’t fit in with our cuisine.” In Xinjiang, Han Chinese impose pig raising on the Muslim Uyghur population, knowing full well, as Shaikh writes, that “it’s hard to exaggerate how much Uyghurs are repulsed by pigs.” Not just a cultural shibboleth, food speaks to who holds power and who doesn’t: As Shaikh writes of once-iconic Czech cuisine, when the Nazis arrived they feasted on meat, confining Czechs to “flour dumplings and thin, watery sauces.” There, too, Czech traditionalists are doing much to restore a cuisine battered by the Nazi invaders’ rule on the one hand and “decades of communist conformity” on the other. Shaikh travels the world to portray loss and recovery, documenting how Rohingya refugees from Myanmar are laboring to keep their food traditions from disappearing, how Czech farmers are rediscovering the virtues of “fresh Moravian asparagus, both the white and green varieties,” and more—with the bonus of recipes from his interlocutors.

A revealing inquiry at the intersection of food, culture, war, and power politics.

Pub Date: June 24, 2025

ISBN: 9780593442845

Page Count: 320

Publisher: Crown

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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