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ROEBUCK'S PRIZE

A sharply drawn satire set in a broken future economy.

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In Shapiro’s debut speculative novel, an emasculated man seeks redemption in the shadow economy.

In 2035, times are tough for a lot of people, including Raf Vella, a downsized estate planner turned stay-at-home dad (though he dislikes the term). He moonlights as a delivery man for specialty items—which, due to shortages, now encompass anything beyond the barest staples—which he picks up at a warehouse called the Depot. One night, Raf stumbles across an underground boxing match going on at the back of Depot, and he can’t help but be taken in by the high wagers and prizes. He steps into the ring and, unexpectedly, comes away a winner. The match provides his entry into the Real Deal Economy, a black market for all sorts of things, created by legal loopholes and Congressional gridlock. “We’re basically modern-day moonshiners-gone-corporate,” explains one RDE-er. Raf wants to become a Broker, someone who connects people and goods within the RDE and makes the kind of money that has become all but impossible to earn in the normal economy. If he can do that, maybe he can earn back the respect of his wife and provide for his daughter the way he wants to. To become a Broker, however, Raf will have to climb the dangerous ladder of the RDE. Is the money he might eventually make worth the things he’ll have to do to get there? Shapiro’s prose expertly sketches Raf’s world, which feels simultaneously alien and familiar. Though the dystopian premise is hardly unique, the details of Raf’s grim near-future are inventive and fresh (the precipitator of this dystopia, intriguingly, is a corrupted infrastructure that unexpectedly leads to kleptocracy.) Here the author describes television in the post-streaming world: “Advertising had basically dried up, and not enough people were willing or had the bucks to pay subscription fees. The whole industry had been replaced by a blizzard of so-called ‘user-generated content’ that consisted mainly of homemade videos, crudely-made amateur dramas and pirated copies of vintage TV shows.” It’s a quick, immersive tale that leaves its reader sated.

A sharply drawn satire set in a broken future economy.

Pub Date: July 11, 2023

ISBN: 9781639888979

Page Count: 226

Publisher: Atmosphere Press

Review Posted Online: Sept. 1, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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