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BODY SCISSORS

Gritty, jumpy and absorbing.

Dirty politics and poisoned heroin dim the light in the not-so-hip, not-so-rich Austin of 1991.

As the only New York Jew in the Austin Police Department, Detective Dan Reles, who first appeared in Simon’s Dirty Sally (2004), is accustomed to a certain amount of professional isolation. A former boxer, he may be as tough as any of his colleagues, but he can never be reborn as a Good Ol’ Boy. Yet the professional isolation seems not nearly as affecting as the emotional distance his girlfriend Rachel Velez is keeping. The widow of Dan’s late mentor Joey Velez, Rachel lives in fear that she will lose Dan to his job, and her fears are far from groundless. Dan is dedicated and dogged, and Austin is in the thick of the drug epidemic. Drugs are, in fact, at the heart of Dan’s current case, the horrifying shooting of two young children in front of their mother. The mother is Virginia Key, a petite, squeaky-voiced, African-American lawyer rearing her son and daughter in an all-white neighborhood as she considers a run for city council. The family had come home and apparently interrupted a burglary by a drug addict. Leaping to the defense of his mother and younger sister, nine-year-old Ruben took a bullet that passed through his body and killed his sister. Now he lies in a coma and Dan tries to sort things out. So is James Torbett, the only black detective on the force, a happily married family man blindsided by an instant and powerful attraction to Virginia Key. Working separately, but united by their domestic problems, the two detectives pick away at the oddness of the murder scene (the intruder had an English accent and addressed Mrs. Key by name) and begin to learn that Mrs. Key is no angel and that her assailant was tied not just to the drug trade but, eventually, Dan and Rachel’s troubled past.

Gritty, jumpy and absorbing.

Pub Date: Sept. 1, 2005

ISBN: 0-670-03443-6

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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REMEMBER WHEN

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...

Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.

Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.

Pub Date: Sept. 1, 2003

ISBN: 0-399-15106-0

Page Count: 448

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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