Understandable, if not exactly model, behavior makes for a funny, sympathetic read.

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SHORTY & CLEM

From the Shorty & Clem series

Shorty suffers an overwhelming ethical dilemma when a mysterious package arrives for the temporarily absent Clem.

The two make unusual companions, as Clem is an owlish bird and Shorty, a big, green dinosaur. Their personalities are equally divergent. No sooner has the bird stepped out with an “I’ll be back!” than a box addressed to Clem appears. “I will not open Clem’s package,” says Shorty virtuously. But that doesn’t mean that the box itself can’t be ridden (maybe there’s a race car inside!), jumped on (a trampoline?), and vigorously pounded (bongos, maybe?). Eventually the increasingly battered carton surrenders its contents—a pair of pink monkey slippers. “I opened Clem’s package,” Shorty wails. “He is going to be so mad.” Instead, after a show of annoyance, Clem hoots, “Happy Birthday!” After a page turn, he continues, “I knew you would open the package. I know how much you love monkeys.” Slack renders both roomies and the simple speech-balloon dialogue (the book’s sole text aside from sound effects and the address on Clem’s package) with blocky minimalism, comically contrasting Clem’s steady, grave air with Shorty’s exaggerated gestures and broad emotions. The grateful green one’s “Not as much as I love you” brings this high-energy romp to a cozy close.

Understandable, if not exactly model, behavior makes for a funny, sympathetic read. (Picture book. 4-7)

Pub Date: April 25, 2017

ISBN: 978-0-06-242158-6

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 21, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A sweet and far-from-cloying ode to love.

THE LOVE LETTER

A mysterious love letter brightens the lives of three forest animals.

Appealing mixed-media illustrations made of ink, gouache, brush marker, and colored pencil combine with a timely message that one kind act can start a chain reaction of kindness. When Hedgehog, Bunny, and Squirrel stumble in turn upon a formally composed love letter, each finds their life improved: Squirrel is less anxious, Bunny spreads goodwill through helpfulness, and Hedgehog is unusually cheerful. As the friends converge to try to discover who sent the letter, the real author appears in a (rather) convenient turn: a mouse who wrote an ode to the moon. Though disappointed that the letter was never meant for them, the friends reflect that the letter still made the world a happier place, making it a “wonderful mix-up.” Since there’s a lot of plot to follow, the book will best serve more-observant readers who are able to piece the narrative cleanly, but those older readers may also better appreciate the special little touches, such as the letter’s enticing, old-fashioned typewriter-style look, vignettes that capture small moments, or the subdued color palette that lends an elegant air. Drawn with minimalist, scribbly lines, the creatures achieve an invigorating balance between charming and spontaneous, with smudged lines that hint at layers of fur and simple, dotted facial expressions.

A sweet and far-from-cloying ode to love. (Picture book. 4-8)

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-274157-8

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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