Imaginative SF worldbuilding energizes the shopworn premise of an average kid destined for legendary deeds.
An average Ohio teenager learns that he is the long-lost heir to a throne that unites all of the civilizations in the Milky Way galaxy in Hickman’s SF novel.
At the outset of the author’s galactic saga, a rather modest-appearing godlike figure (middle-aged, nondescript, wearing a “shabby” fedora) creates what is destined to be Earth. Billions of years later, the multi-species citizens of the Milky Way galaxy spacefaring galactic empire (which resembles the quasi-feudal worlds found in fantasy novels) only know Earth as a legend, a dreaded place to which the kingdom’s traditional enemies are banished. On Earth, Richard, an Ohio teen, receives news of his destiny as heir to the throne of the Milky Way. This startling revelation is conveyed first by Richard’s strange elderly neighbors, then by a talking sofa—a miracle-working guardian who shape-shifts into a gentle humanoid whom Richard dubs “AAL.” Richard is shown the unique and enigmatic DNA markers proving that he is indeed the lone descendant of the Plantagenet bloodline: heroic (mostly) defenders of all their varied subjects and a benevolent force throughout space. With a loyal “artificial life” duplicate of Richard duly created to take his place back home, the adolescent is taken by AAL to tour Krel, the capital planet of his kingdom—which turns out to be populated by many creatures from human myth and lore, including centaurs and winged horses. Here is the place Richard will wield absolute power once his training is complete. But as much as AAL seems to be Richard’s strongest advocate, mentor, and guardian, the boy suspect he is holding back information as the teen confronts the challenges, responsibilities, and pitfalls of finding himself a prophesied leader-messiah across a space-scape of billions of worshipful worlds (and yes, there is a Dune reference thrown in for the cognoscenti).
In its outline, this is the umpteenth update of the “chosen one” heroic fantasy as identified by mythology scholar Joseph Campbell, with forebears ranging from King Arthur to Harry Potter. Hickman’s distinction is the wealth of detail he brings to this narrative of the most vitally important person alive, a juvenile whose every word and whim has the force of law and dictates instant policy. Richard (who fortuitously is SF savvy) must negotiate a minefield of enemies, courtly intrigue, and diplomatic tangles, which the hero approaches with simple common sense and fairness. Readers assuming this to be milder YA fare should be warned that Richard’s virginity is one of the sacrifices he makes: “Since you are a fifteen-year-old with raging hormones and have had a taste of sex, it is unlikely you will stop. Once you have a taste of the honey, you will dare to venture to the hive again and again,” states AAL, accurately, when the act takes place—explicitly described, it may even surprise readers accustomed to taboos being overturned. The finale wraps things up nicely; it’s not a cliffhanger, but clearly sets up the next installment.
Imaginative SF worldbuilding energizes the shopworn premise of an average kid destined for legendary deeds.Pub Date: July 6, 2022
ISBN: 9798985477733
Page Count: 491
Publisher: RedFoxOnHigh
Review Posted Online: April 14, 2023
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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