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THE PRINCESS AND THE DRAGEENA

Fun, cute illustrations bring this simple story to life.

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Wicks (Pepe and Seymour’s Adventure, 2009) delivers a charming children’s book paired with delightful illustrations by Essa, structured around the adventures of a princess and her new friend, a rare purple and white “drageena.”

Told in nine small episodes, these quick, often silly adventures showcase Princess Awemina, whose loneliness prompts Prince Mineko to seek out a drageena—a sort of half-dog, half-dragon with tiny wings and a detachable nose—to be her friend and companion while he’s off attending to his princely duties. Though this may seem like a typical fantasy/adventure setup, once the drageena comes into the story, she takes over, and the princess and the drageena’s adventures charmingly become the book’s focus. Drageenas find adventure irresistible, no matter how big or small the escapade may be. The two friends search for cookies, shoes, and blockleberries, the grape-looking fruit drageenas prefer. The drageena decides on a name for herself, hunts for another drageena’s lost nose, participates in a blockleberry pie-eating contest and looks for a home. The divergent, fast-paced adventures allow readers to watch Awemina and the drageena’s friendship blossom. The adventures aren’t big, broad or sweeping; they’re similar to the day-to-day activities of ordinary people, such as having a picnic and trying on shoes. It’s somewhat unusual to find a relatable story about royalty and imaginary creatures, so young readers will appreciate the ability to tag along. Essa’s simple, colorful illustrations enjoyably mix a hand-drawn aesthetic with digital backgrounds, and young readers will appreciate the characters’ expressiveness.

Fun, cute illustrations bring this simple story to life.

Pub Date: Nov. 12, 2012

ISBN: 978-1468035865

Page Count: 56

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2013

Kirkus Reviews Issue: March 1, 2013

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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